It will not, I think, be hard to show that in dissipating the popular
misconceptions which have grown up around the question of the origin
of scenery, science has put in their place a series of views of
nature which appeal infinitely more to the imagination than anything
which they supplant. While in no way lessening the effect of human
association with landscape, science lifts the veil that hides the past
from us, and in every region calls up a succession of visions which, by
their contrast with what now presents itself to the eye and by their
own unlooked-for marvels, rivet our attention. Scenes long familiar are
illumined by 'a light that never was on land or sea.' We view them as
if an enchanter's wand were waving over us, and by some strange glamour
were blending past and present into one.
Let me try to illustrate these remarks by three examples culled from
the scenery of each of the three kingdoms. First, I would transport
the reader in imagination to a lonely valley in the far west of the
county of Donegal. The morning light is sparkling in diamonds from
the dewdrops that cluster on the bent and heather, and is throwing
a rainbow sheen across each web of gossamer that hangs across our
path as we climb the long rough slope in front. Around are bare bleak
moorlands, too high and infertile for cultivation, from the sides
and hollows of which the peasants dig their fuel. The signs of human
occupation grow fewer and fainter as we ascend. The barking of the
village dogs and the shouts from the school playground no longer reach
our ears. And while we thus retire from the living world of to-day, it
almost seems as if we enter into progressively closer communion with
the past. Yonder, only a few miles to the north, lies the deep hollow
of Glen Columbkill--that western seclusion where tradition records that
St. Columba, the great apostle of the Scots, in his earlier years,
loved to bury himself for meditation and prayer. Mouldering cross and
crumbling cairn, to which latter every pious pilgrim adds a stone,
keep his memory green through the centuries. It is with him and his
courageous friends and disciples, rather than with sights and sounds
of the present time, that we feel ourselves in contact here. And when,
high up on this bare mountain-side, we come upon the ruined cells which
these devoted men built with their own hands out of the rough stones of
the crest, and to which they betook themselves for quiet intercourse
with Heaven, amid the wild winds and driving rains of these western
hills, the halo of human courage and self-denial falls for us on this
solitude to heighten its loneliness and desolation.
Public-domain text, read in full here on John Shaqi.
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