LANDSCAPE WITH FIGURES _By_ RONALD FRASER _NEW YORK_ BONI & LIVERIGHT _MCMXXVI_ COPYRIGHT 1926 :: BY BONI & LIVERIGHT, +Inc.+ PRINTED IN THE UNITED STATES PREFACE This book is only an attempt to reproduce, in words, experiences that have come in contemplating the landscapes, flowers and figures in Chinese pictures and on their porcelain. It is the story of a human mind that follows the mysterious and half-wanton beckonings of such an experience until it is seized and understood. The originals of my three Chinese friends are to be seen in the print-room, the ceramic-room, and the Asiatic galleries of the British Museum. I am not attempting to convey any profound meaning, unless it be the meaning of that mystical proverb, “Everything comes to him who waits.” The system of thought that I attempt to reproduce is Chinese and very ancient. I have not been able to make up my mind whether it contains something of general value, or whether it is merely a thought-puzzle with which those who find pleasure in such occupations may amuse themselves. LANDSCAPE WITH FIGURES 1 We take this flower-filled and graceful story of a summer visit to a valley of the Far East from the diaries and minutes of Ambrose Herbert. It grows from his leaves like an image of some choice, cultivated flower, some Asiatic lake-lily; there is, indeed, a delicate lily-smell, a faint water-smell, that teases the sense with a hint of queer landscapes, alien, impenetrable faces, in an unreal world of paradoxical dreams. Yet they visited the real heart of that image, these seven men who called themselves, in a vein of humour, the Seven Sages, and it appears that they scarcely held their own, when it came to philosophy, with the uncompromising practitioners of wisdom they found there. After all, they were Europeans. Men of considerable sensibility, they yet did not give the things of the spirit undue attention; still less did they permit any vision of the universe they might have had to interfere with their way of life. They lived by common-sense adjustment to the more obvious in circumstances, occasionally, at sentimental moments, following a chance gleam—but not following it too far. Five of them, that is. The other two had gone wrong.