British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
“Well, I’ll take ’em on single-handed, in defence of virginity,” said
Quentin, “though chastity requires no defence, for, as Judas Thomas
tells us, chastity is an athlete who is not overcome. How beautiful
is the story of Perpetua, the virgin martyred at Carthage, and of
Thekla, for whom the lioness fought with other beasts in the arena! No,
Ambrose. Purity is absolute. The pure virgin cannot be defiled, for
her heart is not in the work. And that is why we need have no scruples
regarding her.”
“Thekla?” asked Ambrose. “I am not acquainted with that story. I must
look it up.”
6
At ten o’clock precisely Ambrose reported to Lord Sombrewater, who
was playing bridge with his captain and two of the three ladies—Lady
Frew-Gaff and Mrs. Sprot. Ruby’s red head was bent over a book and Lady
Sombrewater knitted. The three ladies did not differ in appearance
more noticeably than sparrows. Indeed, they closely resembled
sparrows, among the painted bamboos. They had all three been very
pretty girls, and that was why their husbands had married them. They
had married them before they knew exactly what kind of prettiness and
what accomplishments they required women to have. As regards Lady
Sombrewater, the very negative of her husband, Ambrose wondered how
Lychnis had been gotten out of that nonentity.
“And where is Lychnis?” she asked, as he came in.
“She’s with Sir Richard Frew-Gaff and Fulke Arnott, doing sums.”
“Queer girl. I missed her after dinner. I thought she was with you.”
“She and Ruby were with Quentin after dinner,” the captain innocently
said.
Lord Sombrewater’s eye was expressionless, like a pheasant’s. The three
ladies exchanged glances, glanced at Ruby, and when she glanced up from
her book simultaneously glanced back again.
There was silence for an hour.
“Game and rubber,” said Mrs. Sprot at last.
“And bedtime,” added Lady Frew-Gaff. And there was a great pushing back
of chairs and shaking of handbags and jingling of coins and picking
up of dropped odds and ends. The choleric Chink came in with Bovril
and whisky-and-soda, and as he went out again, with a last furious
good-night, the ship gave a distinct heave.
Then Lychnis came in. “Yes,” she replied to a question, “there’s a
wind blowing. Terence is outside sniffing it. He says it’s full of the
Peach-blossom People. He says they keep on flicking the tops of the
little waves with their pink feet.”
“And what did you say to that?” asked her father.
“I said no doubt it was true. He looks at the waves a lot, so he ought
to know. I told him about my waves.”
“Your waves?”
“Light waves and that. Calculations about them, in rhyme and blank
verse. We had wonderful ones to-night—long flat ones like trains and
some like falling rockets, and a series like the rhizome of a bamboo
that keeps on putting out a new shoot. Fulke nearly cried because a
demonstration of Sir Richard’s was so beautiful.”
Public-domain text, read in full here on John Shaqi.
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