British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
“I find love a bore,” she observed. “It might not be, I can conceive.
Several have loved me, and Fulke now I’m afraid, and Quentin, if we
are to call that love. And I love myself undoubtedly. When I see
myself in the mirror I wish, sometimes, that I were a young man, and I
feel that if I were women would love me, and I would take one—perhaps
Ruby, though she is rather stupid. I could love a god, if he wasn’t
too curly-headed and milk-white. Mine would be dark-haired, not fair,
like Terence’s clumsy Irish heroes. But there are no gods, unless
there are some lost here in China. Mine would have an air of profound
thoughtfulness. If there were gods, do you think I would have a chance?”
She looked so comically serious that Ambrose laughed at her.
She was petulant at his laughing. “You don’t love me, do you, Ambrose?
You only think I’m funny.”
He says her sentence came at him like a flung blossom with a little
dart in it. He records his answer:
“I can make no talk when it comes to ‘I’ and ‘me.’ Really, I’m not sure
that I’m aware of feelings and desires and so forth.” He remarks that
he scarcely knew how to put it.
“Oh, I know,” she replied scornfully. “You only make notes. We are
all specimens. Still, that’s just as well, because if you were at
all likely to love me”—she flushed, now, at the word spoken before
in a rushing impulse—“there’d be nobody left to talk to. You know,
Ambrose....” She hesitated, looking about in the grass as if words
might spring up there. “It seems funny to say ... I mean, all those men
are a nuisance in one way or another. When they look at me their eyes
are seeing me as a young woman. Daddy, even ... you understand? Fulke
displeasingly, because he’s like a chimpanzee and I find it insulting,
and Sprot sentimentally and disgustingly, and Quentin—rather
excitingly. And Sir Richard, too, Ambrose, though it sounds wicked of
me to say it, but I can’t help knowing. Terence, of course, pretends
I’m his inspiration. Do poets embrace their inspirations? I expect so.
And with Arthur Blackwood it’s the way he sternly doesn’t look at me,
and when I’ve been talking to him he always goes into four or five
kinds of trances. It’s all a nuisance. But you, when you look at me and
talk to me, though I know you perceive every inch and movement of me
and very many of my thoughts, but not all by any means, I don’t mind.
It is so, isn’t it?”
He bowed, and admired her standing up straight and frowning and flushed
against the stem of the young plum-tree. A pink blossom fluttered down
on her.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account