British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
“Oh, well, by the means you mention you have accomplished much—or
someone has.” Lord Sombrewater thought for a few minutes. He told
Ambrose, when later observations had told him a great deal, that he
was convinced the ship had been steered by some sort of energy-beam
from the shore. Then he decided. It seemed to be his method, at moments
in his career when important decisions were before him, to adopt any
plan that offered itself. It is probable that he decided on some
instinctive summing up of facts, or indications, intuitively perceived.
He unreservedly accepted the proposal that the Chinaman should act as
guide. “What shall we call him?” he asked.
“Such-a-one,” Ambrose suggested.
“Good. I nearly made him minute-writer in your place, Ambrose. I rather
fancy him. But we industrial princes can’t have people assassinated
when they are in the way.”
Ambrose considered the point. “I suppose not,” he said
thoughtfully—“not as a rule. But here nobody would ever know if you
waited till we were some way inland. Quentin would do it for you.”
Sombrewater laughed loud and long. “You ignore the possibility of any
affection a fellow might have for you.”
“No, no,” replied Ambrose. “I make due allowance for it in my
estimation of the probable course of events.”
11
Just after sunrise the next day ten figures in the costume of ancient
China (on the advice and with the assistance of Such-a-one) embarked
in a cluster of odd craft that lay alongside the _Floating Leaf_. Each
boat had a windowed cabin, like a gondola. On the sail of each was an
emblem like a flying beast. The Dragon, Quentin pointed out.
Lychnis went first, swaying like an amber chrysanthemum on its stalk;
Ruby followed, her plump, maiden curves voluptuously shown, as she
balanced, in plum-coloured silk; Lord Sombrewater in marigold and
green; Sir Richard in apricot, with a device in black like a system
of coordinates; Sprot in mauve; Blackwood in lilac; Terence in
flame-orange; Quentin in peacock-blue; Fulke in primrose with sleeves
of green; Ambrose, lastly, in misty white. Clustered in their boats
they seemed like flowers in fantastic baskets floating in the stream.
Public-domain text, read in full here on John Shaqi.
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