British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
Now Ambrose gives an evening picture—an evening of emerald and fire.
They have come back to the Pavilion, the wind has fallen, and Lychnis
and Ruby are walking with him in the mazy paths of the bamboo-forest.
The walls of bamboo curl over their heads like breakers under a
flaring sky, and now and then, at some last fierce puff of the gale,
there is a splutter of green foam. Ahead of them are the hills, like
rollers darkening and lightening on a horizon of sea. And low down
in the west rides the round sun, breaking in upon them through the
leaves—inquisitive, unescapable, like the face of the goat-rider. It
was Ruby (the red tinge of her hair and the peony colour of her robe
making a sharp, exquisite chord with the bamboo green) who made that
comparison. She was really restless under the sun’s stare. “I thought
we should be safe here,” she said.
“Safe? Safe from what?” asked Lychnis (in purple and deep violet).
“From that face.”
“Oh, I thought you meant safe from ... from other things. Safe with
old Ambrose. Safe, I mean, from the strain of people always pulling at
you, attracting you, trying to get you.”
“I don’t mind that so much. But I didn’t like that man on the goat, who
looked at us as if he saw some caterpillars on a bush.”
“He didn’t see us,” said Lychnis. “He only knew there was something or
someone in the thicket. But you are afraid because if a man like that
looked at you closely in the eyes he’d paralyse all your desire for
resistance.”
Ruby was indignant. Ambrose describes with enjoyment the encounter
between a resentful, sunset-headed Titania and a slim, bantering spirit
in a purple thundercloud.
“He wouldn’t,” said Ruby.
“Well, search carefully in your mind and try and tell me exactly
why his face frightens you. Reject your first thoughts and tell me
precisely.”
Ruby sought, as desired. “Well,” she said, “his hands are too plump and
womanish.”
“So, I believe, were Napoleon’s. But his hands are not his face. It may
be your real reason, but I want to hear more of his face.”
“He had an absurd round hat, with fur on it, like Henry the Eighth.”
“A little lower and we shall come to his face.”
“He had a ridiculous coat on.”
“Too low. Mount him.”
“And I couldn’t see his legs.”
“They are important, certainly. But for God’s sake tell me about his
face!”
“Oh well, then! I don’t like a man to have a yellow skin, and
moth-eyebrows, and such a tiny mouth, and a jaw round instead of
square, and eyes that look and look without moving.”
“I see. Delicate hands and a tiny mouth. Not European, it’s true. Not
the sort of man who takes you in his grasp and sucks passionate kisses
off your mouth, as if he were licking an oyster out of its gape.”
“Oh, Licky, you’re dreadful! You won’t understand. I can’t explain. I
only mean there’s something about him that gives me the shivers.”
“Precisely—and deliciously. With a terrific, god-like power that comes
of the very calm and delicateness of his face.”
Public-domain text, read in full here on John Shaqi.
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