consigned, after all, to the water-hole in the furze quarry, by common
consent—the grave of all the criminal, mangy, forsaken dogs in the
parish of Rushbrook.
As the best of dogs, like the best of men, are fallible, Flora may be
said to have grown up under a sentence of death, and was only spared
by a succession of reprieves from the execution of the warrant. Once
or twice she made very narrow escapes, and perhaps her rescue was
due to more than Harry’s powers of piteous pleading. She had been
gradually, by the pertinacious efforts of her master, introduced into
the house, instead of living at the stables with her mother, according
to Mrs. Bloomfield’s original decree, and so had established a claim of
familiarity on the regard of the stern censor herself.
Two marked instances of Flora’s rubbing shoulders with that eminence
above the water-hole in the quarry, which may be compared to the
Tarpeian Rock, are on record.
Mrs. Bloomfield, who prided herself on her success in her poultry yard,
had to listen at one period to various mysterious and doleful accounts
from her cook and boy-of-all-work on the inexplicable disappearance of
new-laid eggs and newly-fledged chickens. As there were no disreputable
characters about, and neither fox nor hawk in the vicinity, and
as the innocence of Flora’s mother was as well established as the
incorruptibility of the parsonage servants who brought the reports, a
grave suspicion attached from the beginning to Flora as the depredator.
But in the absence of positive proof, and in the face of Harry’s
indignant denial, the dark suggestion only hovered in the light of a
suspicion, and did not settle in the form of a conviction in people’s
minds.
Public-domain text, read in full here on John Shaqi.
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