Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
“So with the poets, legends and exaggeration obtain and in all
transcend belief; but in rhetorical figures the best is always the
practicable and the true.”
Footnote 191:
De Pictura Vet. lib. i. cap. 4, p. 33.
Footnote 192:
Von der Nachahmung der griech. Werke, &c., 23.
Footnote 193:
Τμῆμα, β. “Next to this is a third form of faultiness in pathos, which
Theodorus calls _parenthyrsus_; it is a pathos unseasonable and empty,
where pathos is not necessary; or immoderate, where it should be
moderate.”
Footnote 194:
Geschichte der Kunst, part i. p. 136.
Footnote 195:
Herodotus de Vita Homeri, p. 756 (edit. Wessel).
Footnote 196:
Iliad, vii.
Footnote 197:
Geschichte der Kunst, part i. p. 176. Plinius, lib. xxxv. sect. 36.
Athenæus, lib. xii. p. 543.
Footnote 198:
Geschichte der Kunst, part ii. p. 353. Plinius, lib. xxxvi. sect. 4.
Footnote 199:
See Appendix, note 57.
------------------------------------------------------------------------
_Messrs. Roberts Brothers’ Publications._
GOETHE’S
HERMANN AND DOROTHEA
TRANSLATED FROM THE GERMAN
BY ELLEN FROTHINGHAM.
WITH ILLUSTRATIONS.
_Thin 8vo, cloth, gilt, bevelled boards. Price $2.00.
A cheaper edition, 16mo, cloth. Price $1.00._
“Miss Frothingham’s translation is something to be glad of: it lends
itself kindly to perusal, and it presents Goethe’s charming poem in the
metre of the original.... It is not a poem which could be profitably
used in an argument for the enlargement of the sphere of woman: it
teaches her subjection, indeed, from the lips of a beautiful girl, which
are always so fatally convincing; but it has its charm, nevertheless,
and will serve at least for an agreeable picture of an age when the
ideal woman was a creature around which grew the beauty and comfort and
security of home.”—_Atlantic Monthly._
“The poem itself is bewitching. Of the same metre as Longfellow’s
‘Evangeline,’ its sweet and measured cadences carry the reader onward
with a real pleasure as he becomes more and more absorbed in this
descriptive wooing song. It is a sweet volume to read aloud in a select
circle of intelligent friends.”—_Providence Press._
Public-domain text, read in full here on John Shaqi.
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