Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
1. The poet has contrived wonderfully to intensify and ennoble the idea
of physical pain. He chose a wound,—for we may consider the details of
the story dependent upon his choice, in so far as he chose the subject
for their sake,—he chose, I say, a wound and not an inward distemper,
because the most painful sickness fails to impress us as vividly as an
outward hurt. The inward sympathetic fire which consumed Meleager when
his mother sacrificed him in the brand to her sisterly fury, would
therefore be less dramatic than a wound. This wound, moreover, was a
divine punishment. In it a fiercer than any natural poison raged
unceasingly, and at appointed intervals an access of intenser pain
occurred, always followed by a heavy sleep, wherein exhausted nature
acquired the needed strength for entering again upon the same course of
pain. Chateaubrun represents him as wounded simply by the poisoned arrow
of a Trojan. But so common an accident gives small scope for
extraordinary results. Every one was exposed to it in the old wars; why
were the consequences so terrible only in the case of Philoctetes? A
natural poison that should work for nine years without destroying life
is far more improbable than all the fabulous miraculous elements with
which the Greek decked out his tale.
2. But great and terrible as he made the physical sufferings of his
hero, he was well aware that these alone would not suffice to excite any
sensible degree of sympathy. He joined with them, therefore, other
evils, also insufficient of themselves to move us greatly, but receiving
from this connection a darker hue of tragedy, which in turn reacted upon
the bodily pain. These evils were complete loss of human companionship,
hunger, and all the discomforts attendant on exposure to an inclement
sky when thus bereft.[26] Imagine a man under these circumstances, but
in possession of health, strength, and industry, and we have a Robinson
Crusoe, who has little claim to our compassion, though we are by no
means indifferent to his fate. For we are seldom so thoroughly content
with human society as not to find a certain charm in thinking of the
repose to be enjoyed without its pale; more particularly as every one
flatters himself with the idea of being able gradually to dispense
altogether with the help of others. Again, imagine a man suffering from
the most painful of incurable maladies, but surrounded by kind friends
who let him want for nothing, who relieve his pain by all the means in
their power, and are always ready to listen to his groans and
complaints; we should pity him undoubtedly, but our compassion would
soon be exhausted. We should presently shrug our shoulders and counsel
patience. Only when all these ills unite in one person, when to solitude
is added physical infirmity, when the sick man not only cannot help
himself, but has no one to help him, and his groans die away on the
desert air,—then we see a wretch afflicted by all the ills to which
Public-domain text, read in full here on John Shaqi.
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