Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
Nothing is more deceptive than the laying down of general laws for our
emotions. Their web is so fine and intricate that the most cautious
speculation is hardly able to take up a single thread and trace it
through all its interlacings. And if it could, what should we gain?
There is in nature no single, unmixed emotion. With every one spring up
a thousand others, the most insignificant of which essentially modifies
the original one, so that exception after exception arises until our
supposed universal law shrinks into a mere personal experience in a few
individual cases. We despise a man, says the Englishman, whom we hear
crying out under bodily pain. But not always; not the first time; not
when we see that the sufferer does all in his power to suppress
expressions of pain; not when we know him to be otherwise a man of
resolution: still less when we see him giving proof of firmness in the
midst of his suffering; when we see that pain, though it extort a cry,
can extort nothing further; that he submits to a continuance of the
anguish rather than yield a jot of his opinions or resolves, although
such a concession would end his woes. All this we find in Philoctetes.
To the old Greek mind moral greatness consisted in unchanging love of
friends as well as unfaltering hatred of enemies. This greatness
Philoctetes preserves through all his tortures. His own griefs have not
so exhausted his tears that he has none to shed over the fate of his old
friends. His sufferings have not so enervated him that, to be free from
them, he would forgive his enemies and lend himself to their selfish
ends. And did this man of rock deserve to be despised by the Athenians,
because the waves, that could not shake him, wrung from him a moan?
Public-domain text, read in full here on John Shaqi.
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