Late Lyrics and Earlier, With Many Other VersesHardy, Thomas
General
Late Lyrics and Earlier, With Many Other Verses
Hardy, Thomas
English poetry
In woodlands I have known her,
When boughs were mourning loud,
In the rain-reek she has shown her
Wild-haired and watery-browed.
And once or twice she has cast me
As she pomped along the street
Court-clad, ere quite she had passed me,
A glance from her chariot-seat.
But in my memoried passion
For evermore stands she
In the gown of fading fashion
She wore that night when we,
Doomed long to part, assembled
In the snug small room; yea, when
She sang with lips that trembled,
“Shall I see his face again?”
A NIGHT IN NOVEMBER
I MARKED when the weather changed,
And the panes began to quake,
And the winds rose up and ranged,
That night, lying half-awake.
Dead leaves blew into my room,
And alighted upon my bed,
And a tree declared to the gloom
Its sorrow that they were shed.
One leaf of them touched my hand,
And I thought that it was you
There stood as you used to stand,
And saying at last you knew!
(?) 1913.
A DUETTIST TO HER PIANOFORTE
SONG OF SILENCE
(E. L. H.—H. C. H.)
SINCE every sound moves memories,
How can I play you
Just as I might if you raised no scene,
By your ivory rows, of a form between
My vision and your time-worn sheen,
As when each day you
Answered our fingers with ecstasy?
So it’s hushed, hushed, hushed, you are for me!
And as I am doomed to counterchord
Her notes no more
In those old things I used to know,
In a fashion, when we practised so,
“Good-night!—Good-bye!” to your pleated show
Of silk, now hoar,
Each nodding hammer, and pedal and key,
For dead, dead, dead, you are to me!
I fain would second her, strike to her stroke,
As when she was by,
Aye, even from the ancient clamorous “Fall
Of Paris,” or “Battle of Prague” withal,
To the “Roving Minstrels,” or “Elfin Call”
Sung soft as a sigh:
But upping ghosts press achefully,
And mute, mute, mute, you are for me!
Should I fling your polyphones, plaints, and quavers
Afresh on the air,
Too quick would the small white shapes be here
Of the fellow twain of hands so dear;
And a black-tressed profile, and pale smooth ear;
—Then how shall I bear
Such heavily-haunted harmony?
Nay: hushed, hushed, hushed you are for me!
“WHERE THREE ROADS JOINED”
WHERE three roads joined it was green and fair,
And over a gate was the sun-glazed sea,
And life laughed sweet when I halted there;
Yet there I never again would be.
I am sure those branchways are brooding now,
With a wistful blankness upon their face,
While the few mute passengers notice how
Spectre-beridden is the place;
Which nightly sighs like a laden soul,
And grieves that a pair, in bliss for a spell
Not far from thence, should have let it roll
Away from them down a plumbless well
Public-domain text, read in full here on John Shaqi.
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