Late Lyrics and Earlier, With Many Other VersesHardy, Thomas
General
Late Lyrics and Earlier, With Many Other Verses
Hardy, Thomas
English poetry
I would not have alluded in this place or anywhere else to such casual
personal criticisms—for casual and unreflecting they must be—but for the
satisfaction of two or three friends in whose opinion a short answer was
deemed desirable, on account of the continual repetition of these
criticisms, or more precisely, quizzings. After all, the serious and
truly literary inquiry in this connection is: Should a shaper of such
stuff as dreams are made on disregard considerations of what is customary
and expected, and apply himself to the real function of poetry, the
application of ideas to life (in Matthew Arnold’s familiar phrase)? This
bears more particularly on what has been called the “philosophy” of these
poems—usually reproved as “queer.” Whoever the author may be that
undertakes such application of ideas in this “philosophic”
direction—where it is specially required—glacial judgments must
inevitably fall upon him amid opinion whose arbiters largely decry
individuality, to whom _ideas_ are oddities to smile at, who are moved by
a yearning the reverse of that of the Athenian inquirers on Mars Hill;
and stiffen their features not only at sound of a new thing, but at a
restatement of old things in new terms. Hence should anything of this
sort in the following adumbrations seem “queer”—should any of them seem
to good Panglossians to embody strange and disrespectful conceptions of
this best of all possible worlds, I apologize; but cannot help it.
Such divergences, which, though piquant for the nonce, it would be
affectation to say are not saddening and discouraging likewise, may, to
be sure, arise sometimes from superficial aspect only, writer and reader
seeing the same thing at different angles. But in palpable cases of
divergence they arise, as already said, whenever a serious effort is made
towards that which the authority I have cited—who would now be called
old-fashioned, possibly even parochial—affirmed to be what no good critic
could deny as the poet’s province, the application of ideas to life. One
might shrewdly guess, by the by, that in such recommendation the famous
writer may have overlooked the cold-shouldering results upon an
enthusiastic disciple that would be pretty certain to follow his putting
the high aim in practice, and have forgotten the disconcerting experience
of Gil Blas with the Archbishop.
Public-domain text, read in full here on John Shaqi.
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