Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
In 1778, there was a grave scandal. A certain M. de Cazes, a young
_maître des requêtes_, fell madly in love with Madame Dugazon, who
condescended to reciprocate his passion. In order to conceal their
intrigue and, at the same time, facilitate their interviews, M. de Cazes
presented the Dugazons to his father, a wealthy farmer-general, who
invited them to his house, where actor and magistrate often performed
scenes from popular comedies for the entertainment of the company. Their
most diverting performance, however, took place in private, a fact to be
regretted, since it must have been worth going a very long way to see.
Dugazon had for some time suspected the motive of his introduction to
this family and the very cordial reception which had been accorded him.
But the guilty pair had observed so much discretion that he had not a
particle of evidence to justify his interference and was, therefore, at
a loss how to proceed. Jealousy, however, prompted him to a bold move.
One morning, M. de Cazes was in his cabinet, dreaming of his inamorata,
when Dugazon entered unannounced, and, locking the door behind him, drew
a pistol from his pocket, held it to the young man’s head, informed him
that he knew everything, and that he would blow out his brains on the
instant, if he did not immediately deliver up his wife’s portrait and
letters.
[Illustration: MADAME DUGAZON
From an engraving by MONSALDI after the painting by JEAN BAPTISTE
ISABEY]
The unfortunate gallant believed that Madame Dugazon had made a
confession to her husband or that in some way he had been betrayed, and,
in fear and trembling, handed over both portrait and letters to his
assailant, who retired, enchanted with the success of his expedition.
No sooner, however, had the actor and his pistol departed, than M. de
Cazes’s alarm gave way to indignation, and he followed in pursuit,
shouting: “Thief! Assassin! Stop the villain!” And the servants, roused
by his cries, came running to the spot.
Dugazon, who was leisurely descending the stairs, turned round, and, in
no way disconcerted, coolly replied: “Perfect, Monsieur; admirably
played! The scene is excellent! The servants would be quite deceived by
it, were they not accustomed to our farces.” Then, without quickening
his pace, he passed through the astonished lackeys--who, uncertain
whether it was a comedy or not, did not dare to lay hands on him--gained
the door, made the discomfited magistrate a profound _congé_, and
swaggered off.
Some days later, M. de Gazes happened to be on the stage of the
Comédie-Italienne, at the conclusion of the performance, and was there
espied by Dugazon, who could not resist the temptation to read his
wife’s admirer a second lesson. Accordingly, he waited until the crowd
had dispersed and he was unobserved, and then, stealing up behind the
_maître des requêtes_, dealt him four or five sharp cuts across the
shoulders with a cane.
Public-domain text, read in full here on John Shaqi.
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