Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
The luckless young man turned round, furious with rage and pain, and,
perceiving his “rival,” poured forth a torrent of abuse and threats.
The actor, quite unmoved, begged him to explain himself and inquired,
with a bland smile, if he were rehearsing a tirade from some play.
The infuriated magistrate rejoined by calling Dugazon “an assassin,” and
asserting that he had just dealt him several blows with a cane.
The latter assumed an air of injured innocence, assured M. de Cazes that
he must be labouring under some extraordinary delusion, and inquired how
he could possibly imagine that a poor player like himself should have
been guilty of so shocking an outrage.
As there were no witnesses to the assault, and M. de Cazes had no mind
to give the actor, who was an expert swordsman, the satisfaction of
running him through the body, the affair went no further. Dugazon,
however, did not fail to boast everywhere he went of the thrashing he
had inflicted on madame’s lover; conduct which, the _Mémoires secrets_
tell us, “revolted honourable men.”
If Dugazon had taken upon himself to detect and punish all his wife’s
infidelities, it is to be feared that he would have had but little time
to devote to his professional duties. “The singing-bird had taken flight
and returned but seldom to the conjugal nest.” However, for a time, he
did his best, and, in the course of the following year, had an affray at
the house of Sallé, the director of the winter Vauxhall, with the
Marquis de Langeac, who had succeeded M. de Cazes in the actress’s
affections.
Dugazon had written an angry letter to his wife, reminding the lady of
her numerous escapades and bitterly reproaching her with having accepted
the homage of M. de Langeac, to whom he alluded in terms of the most
unmitigated contempt. This letter Madame Dugazon promptly handed to the
marquis, who, talking the matter over with his friend Sallé, announced
his intention of subjecting the actor to “a hundred blows with his
cane,” on the very next occasion on which they should chance to meet.
Scarcely were the words out of his mouth, when the object of his
resentment, who had been an unseen auditor of all that he had said,
stood before him, and, with a profound bow, intimated that he was
entirely at Monsieur le Marquis’s service.
The marquis replied with a blow from his fist; the actor returned the
compliment with interest, and an Homeric combat was in progress, when
the bystanders interfered and separated the parties.
This adventure had no more consequences than the other. Dugazon, who, to
do him justice, was no coward, would have been only too ready to
continue the battle in the manner prescribed by the etiquette of that
day. But M. de Langeac, a notorious poltroon--he had, some time before,
taken, without any attempt at retaliation, a severe thrashing from
Guérin, the Prince de Conti’s surgeon--sheltered himself behind his rank
and declined to cross swords with an actor.
Public-domain text, read in full here on John Shaqi.
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