Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Madame Arnould dried her tears; M. Arnould’s illness took a favourable
turn. Since Sophie had been carried off, it was at least some
consolation to learn that her abductor was a man of rank and wealth, and
not a mere middle-class libertine; one, too, who, without doubt, was
only prevented from giving his name and all that went with it to the
object of his affection by the unfortunate circumstance that he was
already provided with a wife. The worthy pair quite forgot their
disgrace as they thought of the brilliant future which awaited their
daughter, when the earth should have closed over poor, delicate Madame
de Lauraguais--she lived till 1793, and her career was ended by the
guillotine--and the count’s father, the old Duc de Lauraguais, should
have gone the way of all flesh. Why, if the Fates were kind, ere many
months had passed Sophie might be a countess--nay, a duchess! And so
when, in due course, the prodigal daughter came, in a magnificent coach,
to pay a visit of courtesy to her parents, she found, instead of tears
and reproaches, caresses and pardon. Such was the moral code of the year
of grace 1758!
* * * * *
Louis Léon Félicité de Brancas, Comte de Lauraguais, the first lover of
Sophie Arnould, was a singular creature. “He has all possible talents
and all possible eccentricities,” wrote Voltaire, while Collé describes
him as “the most serious fool in the kingdom.” His conceit was
stupendous, his extravagance unbounded, his energy and versatility truly
astonishing; he dabbled in everything and confidently believed that he
excelled in whatever he might choose to undertake. Now he was composing
tragedies intended to eclipse the masterpieces of Corneille and Racine;
now making experiments in chemistry or anatomy which were to completely
revolutionise those sciences; anon writing treatises in favour of
inoculation, or endeavouring to bring about reforms in the theatre,[14]
or riding in horse-races.[15] The violence with which he advocated his
own views and his unsparing denunciations of all who ventured to differ
from him, no matter how highly placed they might be, were perpetually
bringing him into collision with the authorities, and he was several
times exiled or imprisoned, only to resume his eccentric career the
moment his punishment was at an end. The stories about him are
numberless.
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