Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
But Sophie was very far from confining her witticism to her comrades of
the Opera; no one was safe from her shafts. When the intriguing old Duc
de la Vauguyon, the Dauphin’s governor, who had done his best to sow
dissension between that prince and Marie Antoinette, died, he was
regretted by no one. The day after his death, the opera of _Castor et
Pollux_ was played. In this piece there was a ballet of devils, which on
this particular evening went all wrong, whereupon Sophie observed that
the devils were so much upset by M. de la Vauguyon’s arrival among them
that their heads were turned.
M. de Boynes, who succeeded the Duc de Choiseul-Praslin as Minister of
Marine, in 1760, was an honest and well-meaning man, but entirely
ignorant of the duties of that important post. One evening he appeared
at the Opera, where the scene on the stage represented a ship on a
stormy sea. “Oh, how fortunate!” exclaimed Sophie. “He has come here to
get some idea of the Navy.”
Better perhaps was her remark about the Abbé Terrai, the detested
Comptroller-General of Finance, whose expedients for raising money
excited so much indignation in the last years of Louis XV. The abbé, who
suffered from a defective circulation, was seen, one bitter winter’s
day, with his hands hidden in a huge muff. “What need has he of a muff?”
asked the actress. “Are not his hands always in our pockets?”
The Ministers, indeed, seem to have been very favourite objects of
Sophie’s sarcasm. On being shown a snuff-box, with the head of the Duc
de Choiseul on one side, and that of Sully, the great Minister of Henri
IV. on the other, she exclaimed: “_Tiens!_ they have put the receipts
and the expenses together.”
* * * * *
The _liaison_ between Sophie and the Comte de Lauraguais was, as might
be expected, from the singular character of the latter, not untroubled
by storms. The count, though honestly attached to his mistress, was
jealous, suspicious, headstrong, and passionate, always full of some new
and frequently wild project or other, with which he expected her to
sympathise, while the slightest opposition to his wishes was sufficient
to throw him into such paroxysms of rage that it was dangerous to
approach him.[21] At times, he led poor Sophie a terrible life, and over
and over again she was on the point of leaving him. At last, in the
autumn of 1761, after their irregular union had lasted about three
years, it came temporarily to a close.
Public-domain text, read in full here on John Shaqi.
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