Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
“Her grace and dignity make of her a celestial creature. To see her, I
do not say dance, but merely walk across the stage, is alone worth the
money that one pays at the door of the Opera.”[30]
The charms of this “celestial creature” proved more than the
susceptible heart of M. de Lauraguais could withstand, and we read in
the _Mémoires secrets_, under date March 28, 1768:
“Her (Mlle. Heinel’s) attractions have so captivated M. le Comte de
Lauraguais as to cause him to forget those of Mlle. Arnoux (sic). He has
given her, as a wedding-present _à l’Allemand_, 30,000 livres, 20,000
livres to a brother, to whom she is much attached, an exquisite set of
furniture, a coach, and so forth. It is computed that the _première_
cost this magnificent nobleman 100,000 livres.”
Sophie appears to have been anything but heart-broken at the desertion
of her eccentric lover--probably she was as anxious to be rid of him,
for a season, as he was to leave her--and, less than a year later, we
find her corresponding with him in the friendliest manner. By that time
the count had had more than enough of the society of Mlle. Heinel,
concerning whom Sophie has many spiteful things to say. She herself, she
informs him--perhaps with a view of exciting his jealousy--is receiving
great attention from the Prince de Conti, who often invites her,
together with other past, present, and potential members of his
seraglio,[31] to his box at the Opera, where he invariably greets her
with a kiss upon the chin.[32]
Sophie’s life at this period affords us very little that is edifying to
contemplate, and much that is the reverse. Her apartment in the Rue du
Dauphin was the rendezvous of many wits and men of letters: Marmontel,
Crébillon _fils_, Dorat, Voisenon, and the Abbé Arnaud; but it was also
frequented by nearly all the fashionable libertines of the day, and “her
table was an altar of free life and free love.” “Foreign Ambassadors
covered her with diamonds, Serene Highnesses threw themselves at her
feet, dukes and peers sent her carriages, and Princes of the Blood
deigned to have children by her.”[33] Unlike the majority of her
colleagues, who clung tenaciously to the few poor shreds of reputation
that were left them, Sophie appears to have been perfectly indifferent
to public opinion, and jested cynically with comparative strangers on
the depraved life she was leading.
Public-domain text, read in full here on John Shaqi.
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