Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
François Joseph Bélanger, the architect in question, was a charming man.
He was then about thirty years of age, handsome, good-tempered, witty,
and one of the most rising members of his profession.[34] Sophie loved
him dearly--for a time at least--though this did not prevent her
indulging in various passing fancies. Once, when he was temporarily out
of favour, she sent him his _congé_, and, at the same time, wrote to an
actor named Florence, inviting him to take the vacant place in her
affections. Bélanger, however, happening to call at her house at a time
when she was not at home, found the two letters on her desk, read them,
and promptly changed the envelopes. The result was that Florence
received the _congé_, instead of the avowal of love, and naturally
became very cold in his manner towards Sophie, who, deeply mortified,
turned for consolation to her faithful architect.
At one time a rumour was current that Sophie was about to become Madame
Bélanger, and, when questioned on the matter, the lady replied: “What
would you have? So many people are endeavouring to destroy my reputation
that I need some one who can restore it. I could not make a better
choice, since I have selected an architect!” The marriage, however, did
not take place, though that would not appear to have been the fault of
Bélanger. Notwithstanding the fact that a lady with so romantic a past,
and three fine children to prevent people forgetting it, was hardly the
kind of wife for a rising professional man, the architect would have
been only too willing to regularise their connection. But Sophie had no
mind to marry any one who was unable to satisfy all her caprices; and it
is probable that the rumour referred to was started and circulated by
her with the object of giving the lie to another, which was occasioning
her intense annoyance.[35]
Sophie’s insolence and pride in this the heyday of her prosperity knew
no bounds. She insulted the Lieutenant of Police and was, in
consequence, placed under arrest for twenty-four hours; she made biting
epigrams about Ministers and other distinguished persons, which, no
doubt, duly reached her victims’ ears; she behaved with such “unexampled
audacity” and “essential want of respect” towards Madame du Barry, on
the occasion of a performance before the Court, at Fontainebleau, that,
but for the intervention of the injured lady--the most sweet-tempered
left-hand queen who ever degraded a throne--she would have spent the
next six months as a prisoner in the Hôpital,[36] and she drove the
unfortunate directors of the Opera to the verge of distraction with her
whims and caprices.
Public-domain text, read in full here on John Shaqi.
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