Wilful and mystical, the Spanish temperament is active, and expresses itself externally in conflict; it manifests itself in comedy and tragedy. The Peninsular genius is dramatic. Adventure, movement, and the shock of passions are developed in an ample theatre which expresses all the aspects of aggravated individualism. The struggle is not only for independence, but for fame, to preserve the integrity of honour in the general eye. Jealous and {34} revengeful, this preoccupation in respect of honour, which is profoundly Spanish, inspires innumerable tragedies. Antagonisms, ruptures, theses, and antitheses abound in Iberian history; the positivism of Sancho Panza, the idealism of Don Quixote; obstinacy and idleness; sloth and violence; parasitism and adventure; gloom and solemnity such as we find in the paintings of Zurbaran and Ribera, together with the frivolity of harmonious dance and festival and light-headed madness in the hot sunlight; faith in the will and acceptation of destiny; the ardour of mystics and conquerors and the cynicism of rogues and beggars; heroic disinterestedness and passionate covetousness: these are the irreducible contradictions of the Spanish mind, which explain the long conflict, the intensity of the internal drama. On the stage we find the reflection of these conflicts, these indurated wills; subtle passions, grandiose pride, lofty character; tragedies with a touch of farce and comedies with a mystic background. The literature of Chivalry--the immense crop of romances, the rude primitive poetry, the _Cid_, the _Children of Lara_--is a commentary upon individualism and action. The great literary types--the hero, the adventurer, the mystic, the noble chieftain, the knight, the lover--are exalted individualities. The _picaro_ himself belongs to this hardy family; he is proud as any knight, and a goodly number of knights are _picaresque_. Subtle and sceptical, the _picaro_ employs both cunning and heroism in the daily struggle for life. Of "Gongorism," a school of Spanish literature, Martinez-Ruiz has written that it is the expression of movement in language, a dynamic poetry for men of action. Dramas and romances of energy, violent epics, with nothing of the antique serenity: these form the true literature of Spain. In art and philosophy and literature there are {35} really no schools, but writers, philosophers, and painters; such as El Greco, who left no imitators; solitary individuals such as Gratian and Quevedo. But in Spain we see the triumph of those military and political organisations in which the individual finds the greatest freedom: the people, the tribe, the guerilla band, the battalion. The cult of rebellious and exuberant energy is general. In the relations of king and subject the same Peninsular individualism appears. "For besar mano de rey No me tengo por honrado, Porque la besó mi padre Me tengo por afrentado."