Latin poetry, meanwhile, hung in the balance. The first great wave of the
Greek impulse had exhausted itself in Ennius and the later tragedians.
Prose had so developed that the poetical form was no longer a necessity
for the expression of ideas, as it had been in the palmy days of Latin
tragedy. The poetry of the future must be, so to speak, poetry for its
own sake, until some new tradition were formed which should make certain
metrical forms once more the recognised and traditional vehicle for
certain kinds of literary expression. In the blank of poetry we may note
a translation of the _Iliad_ into hexameters by one Gnaeus Matius, and
the earliest known attempts at imitation of the forms of Greek lyrical
verse by an equally obscure Laevius Melissus, as dim premonitions of the
new growth which Latin poetry was feeling after; but neither these, nor
the literary tragedies which still were occasionally produced by a
survival of the fashions of an earlier age, are of any account for their
own sake. Prose and poetry stood at the two opposite poles of their
cycle; and thus it is that, while the poets and prose-writers of the
Ciceronian age are equally imperishable in fame, the latter but represent
the culmination of a broad and harmonious development, while of the
former, amidst but apart from the beginnings of a new literary era, there
shine, splendid like stars out of the darkness, the two immortal lights
of Lucretius and Catullus.
IV.
LUCRETIUS.
The age of Cicero, a term familiar to all readers as indicating one of
the culminating periods of literary history, while its central and later
years are accurately fixed, may be dated in its commencement from varying
limits. Cicero was born in 106 B.C., the year of the final conquest of
Jugurtha, and the year before the terrible Cimbrian disaster at Orange:
he perished in the proscription of the triumvirate in December, 43 B.C.
His first appearance in public life was during the dictatorship of Sulla;
and either from this date, or from one ten years later when the Sullan
constitution was re-established in a modified form by Pompeius and
Crassus in their first consulate, the Ciceronian age extends over a space
which approximates in the one case to thirty, in the other to forty
years. No period in ancient, and few even in more modern history are so
pregnant with interest or so fully and intimately known. From the
comparative obscurity of the earlier age we pass into a full blaze of
daylight. It is hardly an exaggeration to say that the Rome of Cicero is
as familiar to modern English readers as the London of Queen Anne, to
readers in modern France as the Paris of Louis Quatorze. We can still
follow with unabated interest the daily fluctuations of its politics, the
current gossip and scandal of its society, the passing fashions of
domestic life as revealed in private correspondence or the disclosures of
the law courts. Yet in the very centre of this brilliantly lighted world,
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