Lauds and libelsGraves, Charles L. (Charles Larcom)
General
Lauds and libels
Graves, Charles L. (Charles Larcom)
World War, 1914-1918 -- Poetry
And thence, through level champaign gliding,
Past cottages with russet tiles,
Past marsh and mead the stream goes sliding
For half-a-dozen tranquil miles,
Till, with its waters still untainted
And fringed with waving starwort stems,
With towns and factories unacquainted,
It merges in the silver Thames.
“Scorn not small things; their charm endears them,”
The ancient poet wisely sang;
Great rivers man admires but fears them;
We love our homely little Pang.
SIX VILE VERBS
When I see on a poster
A programme which “features”
CHARLIE CHAPLIN and other
Delectable creatures,
I feel just as if
Someone hit me a slam
Or a strenuous biff
On the mid diaphragm.
When I read in a story,
Though void of offences,
That somebody “glimpses”
Or somebody “senses,”
The chord that is struck
Fills my bosom with ire,
And I’m ready to chuck
The whole book in the fire.
When against any writer
It’s urged that he “stresses”
His points, or that something
His fancy “obsesses,”
In awarding his blame
Though the critic be right,
Yet I feel all the same
I could shoot him at sight.
But (worst of these horrors)
Whenever I read
That somebody “voices”
A national need,
As the Bulgars and Greeks
Are abhorred by the Serb,
So I feel toward the freaks
Who employ this vile verb.
SOME MORE BAD WORDS
In a recent verse adventure
I compiled “a little list”
Of the verbs deserving censure,
Verbs that “never would be missed”;
Now, to flatter the fastidious,
Suffer me the work to crown
With three epithets—all hideous—
And one noisome noun.
First, to add to the recital
Of the words that gall and irk,
Is the old offender “vital,”
Done to death by overwork;
Only a prolonged embargo
On its use by Press and pen
Can recall this kind of _argot_
Back to life again.
I, in days not very distant,
Though the memory gives me pain,
From the awful word “insistent”
Did not utterly refrain;
Once it promised to refresh us,
Seemed to be alert enough;
Now I loathe it, laboured, precious—
Merely verbal fluff.
Thirdly, in the sheets that daily
Cater for our vulgar needs,
There’s a word that figures gaily
In reviewers’ friendly screeds,
Who declare a book’s “arresting,”
Mostly, it must be confessed,
Meaning just the problem-questing
Which deserves arrest.
Last and vilest of this bad band
Is that noun of gruesome sound,
“Uplift,” which the clan of _Chadband_
Hold in reverence profound;
Used for a dynamic function
’Tis a word devoid of guile,
Only as connoting unction
It excites my bile.
TO A MODERN MUSE
Public-domain text, read in full here on John Shaqi.
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