With the Cape standards of wealth it would not have made any difference
to Achsa Green, anyway, or to anyone else, if they had known that the
"nice-appearin' boy" in the old flannels was the only son of Roderick
Allan, President of the Allan Iron Works of Newark, New Jersey. Not
half so much difference as the old flannels made to Dugald's mother.
The inclination on the part of their boy to be "queer," for under that
head they put all his predilections that differed from their
ambitions--distressed his parents very much. The boy had "everything"
and he didn't care a rap about "anything"; they looked upon his spells
of dreamy preoccupation as "loafing." His father had an executive
office in the iron works waiting for him when he finished college, a
job at which any red-blooded young fellow would jump, and Dugald talked
of painting. His mother had grieved that he would take no part in the
social whirl that made up her existence, that he laughed at the creed
of her "set," scouted the class commandments by which she lived. When
he expressed the intention of going on a tramp over Cape Cod she had
encouraged the whim. She had believed that the discomforts of such an
expedition would cure him of his "notions." She had motored to
Provincetown two summers before and she thought it a forlorn place; the
hotels were impossible, the streets dusty and crowded, everything
smelled fishy and one was always elbowing great foreign creatures in
dirty oilskins and rubber boots.
Like many a mother she had been too busy living down to her rapidly
accruing wealth to know the man her boy had grown to be. All her
upbringing notwithstanding he was a simple soul with a sympathetic
understanding of his fellow mortals; a quiet humor and a keen
perception of beauty that abhorred the false or superficial, a brain
that stifled in crowded places. He much preferred knocking elbows with
men of homely labor to the crowded and law-breaking parties he came to
Cape Cod to escape; he found among the fisherfolk, the old gray
wharves, the sandy dunes, everlastingly swept with the clean breath of
the Atlantic, a peace of mind and an inspiration he had never known
elsewhere. The longing in his heart to paint that had been scarcely
more than an urge, took definite and splendid shape. Someone else had
the executive job in his father's manufacturing plant.
That he grew to know that Aunt Achsa needed him and looked forward to
his coming strengthened the bond that brought him back to Sunset Lane
each spring. No one had ever needed him before and it was a
man-satisfying sensation. And in Aunt Achsa's affection for him there
was a depth which he divined but only vaguely understood. In his hardy
six feet four the compassionate mother-woman was seeing her poor
Lavender, big and strong and "straight." To her Dugald was what
Lavender "wasn't"; in her way she put him and Lavender together and
made a satisfying whole. Sometimes she wondered if Dugald might not be
the answer to her prayers!
Public-domain text, read in full here on John Shaqi.
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