Laurus Nobilis: Chapters on Art and LifeLee, Vernon
Philosophy
Laurus Nobilis: Chapters on Art and Life
Lee, Vernon
Aesthetics
Beauty is born of attention, as happiness is born of life, because
attention is rendered difficult and painful by lack of harmony, even
as life is clogged, diminished or destroyed by pain. And therefore,
when there ceases to exist a close familiarity with visible objects or
actions; when the appearance of things is passed over in perfunctory
and partial use (as we see it in all mechanical and divided labour);
when the attention of all men is not continually directed to shape
through purpose, then there will cease to be spontaneous beauty and
the spontaneous appreciation of beauty, because there will be no need
for either. Beauty of music does not exist for the stone-deaf, nor
beauty of painting for the purblind; but beauty of no kind whatever,
nor in any art, can really exist for the inattentive, for the
over-worked or the idle.
XI.
That music should be so far the most really alive of all our modern
arts is a fact which confirms all I have argued in the foregoing
pages. For music is of all arts the one which insists on most
co-operation on the part of its votaries. Requiring to be performed
(ninety-nine times out of a hundred) in order to be enjoyed, it has
made merely _musical people_ into performers, however humble; and has
by this means called forth a degree of attention, of familiarity, of
practical effort, which makes the art enter in some measure into
life, and in that measure, become living. To play an instrument,
however humbly, to read at sight, or to sing, if only in a choir, is
something wholly different from lounging in a gallery or wandering on
a round of cathedrals: it means acquired knowledge, effort,
comparison, self-restraint, and all the realities of manipulation;
quite apart even from trying to read the composer's intentions, there
is in learning to strike the keys with a particular part of the
finger-tips, or in dealing out the breath and watching intonation and
timbre in one's own voice, an output of care and skill akin to those
of the smith, the potter or the glass blower: all this has a purpose
and is work, and brings with it disinterested work's reward, love.
Public-domain text, read in full here on John Shaqi.
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