Feeling obliged to make her word good, she took the path which led to
Miss Ainslie's. As she entered the gate, she had a glimpse of Winfield,
sitting by the front window of Mrs. Pendleton's brown house, in such
a dejected attitude that she pitied him. She considered the virtuous
emotion very praiseworthy, even though it was not deep enough for her to
bestow a cheery nod upon the gloomy person across the way.
Miss Ainslie was unaffectedly glad to see her, and Ruth sank into an
easy chair with something like content. The atmosphere of the place
was insensibly soothing and she instantly felt a subtle change. Miss
Ainslie, as always, wore a lavender gown, with real lace at the throat
and wrists. Her white hair was waved softly and on the third finger of
her left hand was a ring of Roman gold, set with an amethyst and two
large pearls.
There was a beautiful serenity about her, evident in every line of
her face and figure. Time had dealt gently with her, and except on her
queenly head had left no trace of his passing. The delicate scent of
the lavender floated from her gown and her laces, almost as if it were
a part of her, and brought visions of an old-time garden, whose gentle
mistress was ever tranquil and content. As she sat there, smiling, she
might have been Peace grown old.
“Miss Ainslie,” said Ruth, suddenly, “have you ever had any trouble?”
A shadow crossed her face, and then she answered, patiently, “Why,
yes--I've had my share.”
“I don't mean to be personal,” Ruth explained, “I was just thinking.”
“I understand,” said the other, gently. Then, after a little, she spoke
again:
“We all have trouble, deary--it's part of life; but I believe that we
all share equally in the joy of the world. Allowing for temperament,
I mean. Sorrows that would crush some are lightly borne by others, and
some have the gift of finding great happiness in little things.
“Then, too, we never have any more than we can bear--nothing that has
not been borne before, and bravely at that. There isn't a new sorrow in
the world--they're all old ones--but we can all find new happiness if we
look in the right way.”
The voice had a full music, instinct with tenderness, and gradually
Ruth's troubled spirit was eased. “I don't know what's the matter with
me,” she said, meditatively, “for I'm not morbid, and I don't have the
blues very often, but almost ever since I've been at Aunt Jane's, I've
been restless and disturbed. I know there's no reason for it, but I
can't help it.”
“Don't you think that it's because you have nothing to do? You've always
been so busy, and you aren't used to idleness.”
“Perhaps so. I miss my work, but at the same time, I haven't sense
enough to do it.”
“Poor child, you're tired--too tired to rest.”
“Yes, I am tired,” answered Ruth, the tears of nervous weakness coming
into her eyes.
“Come out into the garden.”
Public-domain text, read in full here on John Shaqi.
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