Lavengro: The Scholar, The Gypsy, The PriestBorrow, George
General
Lavengro: The Scholar, The Gypsy, The Priest
Borrow, George
England -- Fiction; Romanies -- Fiction
I have been told that in her younger days my mother was strikingly
handsome; this I can easily believe: I never knew her in her youth, for
though she was very young when she married my father (who was her senior
by many years), she had attained the middle age before I was born, no
children having been vouchsafed to my parents in the early stages of
their union. Yet even at the present day, now that years threescore and
ten have passed over her head, attended with sorrow and troubles
manifold, poorly chequered with scanty joys, can I look on that
countenance and doubt that at one time beauty decked it as with a
glorious garment? Hail to thee, my parent! as thou sittest there, in thy
widow’s weeds, in the dusky parlour in the house overgrown with the
lustrous ivy of the sister isle, the solitary house at the end of the
retired court shaded by lofty poplars. Hail to thee, dame of the oval
face, olive complexion, and Grecian forehead; by thy table seated with
the mighty volume of the good Bishop Hopkins spread out before thee;
there is peace in thy countenance, my mother; it is not worldly peace,
however, not the deceitful peace which lulls to bewitching slumbers, and
from which, let us pray, humbly pray, that every sinner may be roused in
time to implore mercy not in vain! Thine is the peace of the righteous,
my mother, of those to whom no sin can be imputed, the score of whose
misdeeds has been long since washed away by the blood of atonement, which
imputeth righteousness to those who trust in it. It was not always thus,
my mother; a time was, when the cares, pomps, and vanities of this world
agitated thee too much; but that time is gone by, another and a better
has succeeded; there is peace now on thy countenance, the true peace;
peace around thee, too, in thy solitary dwelling, sounds of peace, the
cheerful hum of the kettle and the purring of the immense angola, which
stares up at thee from its settle with its almost human eyes.
No more earthly cares and affections now, my mother! Yes, one. Why dost
thou suddenly raise thy dark and still brilliant eye from the volume with
a somewhat startled glance? What noise is that in the distant street?
Merely the noise of a hoof; a sound common enough: it draws nearer,
nearer, and now it stops before thy gate. Singular! And now there is a
pause, a long pause. Ha! thou hearest something—a footstep; a swift but
heavy footstep! thou risest, thou tremblest, there is a hand on the pin
of the outer door, there is some one in the vestibule, and now the door
of thy apartment opens, there is a reflection on the mirror behind thee,
a travelling hat, a grey head and sunburnt face. My dearest Son!—My
darling Mother!
Yes, mother, thou didst recognise in the distant street the hoof-tramp of
the wanderer’s horse.
Public-domain text, read in full here on John Shaqi.
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