Lavengro: The Scholar, the Gypsy, the PriestBorrow, George
General
Lavengro: The Scholar, the Gypsy, the Priest
Borrow, George
England -- Fiction; Romanies -- Fiction
But no sooner is this said than the necessity for instant and substantial
qualification becomes urgent, for though Borrow's personal vanity would
have been wounded had he been ranked with the literary gentlemen who do
business in words, his anger would have been justly aroused had he been
told he did not know how to write. He did know how to write, and he
acquired the art in the usual way, by taking pains. He might with
advantage have taken more pains, and then he would have done better; but
take pains he did. In all his books he aims at producing a certain
impression on the minds of his readers, and in order to produce that
impression he was content to make sacrifices; hence his whimsicality, his
out-of-the-wayness, at once his charm and his snare, never grows into
wantonness and seldom into gross improbability. He studied effects, as
his frequent and impressive liturgical repetitions pleasingly
demonstrate. He had theories about most things, and may, for all I know,
have had a theory of cadences. For words he had no great feeling except
as a philologist, and is capable of strange abominations. 'Individual'
pursues one through all his pages, where too are 'equine species,' 'finny
tribe'; but finding them where we do even these vile phrases, and others
nearly as bad, have a certain humour.
This chance remark brings me to the real point. Borrow's charm is that
he has behind his books a character of his own, which belongs to his
books as much as to himself; something which bears you up and along as
does the mystery of the salt sea the swimmer. And this something lives
and stirs in almost every page of Borrow, whose restless, puzzling,
teasing personality pervades and animates the whole.
He is the true adventurer who leads his life, not on the Stock Exchange
amidst the bulls and bears, or in the House of Commons waiting to clutch
the golden keys, or in South Africa with the pioneers and promoters, but
with himself and his own vagrant moods and fancies. There was no need
for Borrow to travel far afield in search of adventures. Mumpers' Dell
was for him as good an environment as Mexico; a village in Spain or
Portugal served his turn as well as both the Indies; he was as likely to
meet adventures in Pall Mall as in the far Soudan. Strange things happen
to him wherever he goes; odd figures step from out the hedgerow and
engage him in wild converse; beggar-women read _Moll Flanders_ on London
Bridge; Armenian merchants cuff deaf and dumb clerks in London counting-
houses; prize-fighters, dog-fanciers, Methodist preachers, Romany ryes
and their rawnees move on and off. Why should not strange things happen
to Lavengro? Why should not strange folk suddenly make their appearance
before him and as suddenly take their departure? Is he not strange
himself? Did he not puzzle Mr. Petulengro, excite the admiration of Mrs.
Petulengro, the murderous hate of Mrs. Herne, and drive Isopel Berners
half distracted?
Public-domain text, read in full here on John Shaqi.
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