At another moment this exegesis, pregnant in its unconscious brevity of
the relations between mother and daughter, would have made Lavinia
laugh; but at the present moment a horrible suspicion freezes all
tendency to mirth.
“Féodorovna!”--looking round in bewildered apprehension. “Why, where is
she?”
The visitor is so obviously in no hurry to answer, that Miss Carew’s
question repeats itself with an imperativeness that drags out the
reluctant and frightened response.
“Well, my dear, you must not scold me, as I see you are inclined; or, if
you do, it will be grossly unjust. You know what she is when she takes a
thing into her head, and I am bound to say she does feel, and has felt,
very keen sympathy for him in his trouble; indeed, we all have.”
She pauses, weakly hoping for some expression of thanks or reassurance;
but Lavinia only stares at her with confusing sternness in her aghast
blue eyes.
“And when she heard that the things had come back--poor Bill’s things--I
believe the news came through the servants--nothing would serve her but
that she must see Sir George, to tell him how much she felt for him. You
know that she has that curious _personal_ feeling about the whole of our
Army in South Africa, as if it belonged to her in a way, and she always
rated Bill very highly.”
Again the mother pauses, with a hope--but a fainter one than its
predecessor--that this tribute to the dead may have a mollifying effect
upon her inconveniently silent and staring young hostess.
“And where is she now?” asks Lavinia, with an accent that makes Mrs.
Prince regret her silence.
“She said she would go to Sir George’s room to wait for him; that she
was sure he would prefer that there should be no witnesses to their
meeting. Oh, do not go after her!”--with a despairing clutch at
Lavinia’s raiment as the latter makes a precipitate movement doorwards.
“It is too late now; and, after all, Sir George, poor man, is very well
able to take care of himself. And if he gives her a real good snub, why,
so much the better.”
Lavinia pauses, arrested by the something of sound sense that leavens
her companion’s flurried speech, and with a dawning pity in her
relenting eyes.
“And there is something I want so much to say to you,” goes on the poor
woman, hanging on to the skirt of her advantage, though wisely
relinquishing her material grasp. “You know that I always bring my
troubles to you, and I am in a fresh one now.”
“About her, of course?”
“Oh yes; about her, of course. I suppose that but for her things would
have gone almost too smoothly with Mr. Prince and me. I suppose that the
Almighty sees we need her to prevent us getting too--too uppish.”
The adjective is scarcely on the level of refinement held before her own
eyes by the poor lady, but the tear that moistens condones it.
Public-domain text, read in full here on John Shaqi.
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