Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
I entered the salon, but it was very difficult to move there; in the
first place, the room was not large, and the ladies were all seated in
a circle which no man was permitted to break as yet; so that one must
needs be content to walk behind the ladies’ chairs, at the risk of
disturbing some of them, or of treading on the feet of the men who were
standing in the narrow passage. I know no greater bore than a party
where the ladies are drawn up in that way, like borders in a garden, not
talking with the men, and intent solely upon staring at one another from
the top of the head to the soles of the feet, in order to see what they
may criticise. To add to the discomfort which always prevails in such an
assemblage, the salon was very dimly lighted: a large lamp, the mate of
the one I had seen in Giraud’s hands, diffused only a vague light; and a
few candles, placed at considerable distances apart on the furniture,
were not sufficient to supplement the light furnished by the lamps. All
this, added to the silence of the ladies and to the low whisperings in
which the gentlemen ventured to indulge, imparted a touch of gloom and
mystery to the function; one might have imagined oneself at Robertson’s
theatre during the phantasmagoria.
I spied Madame Giraud in the passageway. She saw me too, and tried to
come to me by pushing aside several gentlemen, and smiling at those who
moved only half enough, so that they might have the pleasure of rubbing
against her. At last we met. As I could not understand the behavior of
those gentlemen, who talked in low tones as if they were at church, I
ventured to inquire for the hostess’s health in my ordinary voice, which
drew all eyes toward me for a moment; it did not produce an ill effect
however, for several young men, who probably had not dared to break the
ice, at once began to talk more freely, and the mysterious whisperings
became less frequent.
“If you had come sooner,” said Madame Giraud, “you would have heard a
fine performance. Ah! we had something very fine just now.”
I was tempted to reply that it was not at all fine at present, but I did
not do it; in society it is not safe to say all that one thinks; one who
did so would be very unwelcome. In a moment, Madame Giraud exclaimed:
“Where on earth is Monsieur Giraud? What is he doing with his lamp? This
one won’t go now! How unpleasant it is!--What do you think of that young
woman by the fireplace? Forty-five thousand francs in cash, and
expectations. That is not to be despised. You will hear her in a moment:
she is going to sing something Italian. Ah! how angry Monsieur Giraud
makes me!”
At last Monsieur Giraud reappeared, proudly carrying the lamp, which
diffused a brilliant light. He placed it on a table, saying:
“It will go now. There was only a little thing to fix.”
“You must do the same with the other one now,” said Madame Giraud, “for,
as you see, that won’t burn.”
“Ah! that’s so. Well! I’ll take it out and do the same thing to it.”
Public-domain text, read in full here on John Shaqi.
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