Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
The dog barked; that announced new arrivals. That dog played to
perfection the part of a servant. The newcomers were ladies. So much the
better; it would be necessary to break the circle in order to enlarge
it. And that is what actually happened. As soon as I saw an opening, I
stepped in. A young man, who was not sorry for an opportunity to
approach a certain lady, followed my example; then another, and another;
the old story of Panurge’s sheep. The circle was definitely broken. The
men mingled with the ladies; it became possible to move about, and it
was to me that they owed it! I had caused a revolution in Giraud’s
salon; a revolution, however, that did not cause anybody’s death.
I had instinctively drawn near to the attractive young woman whom I had
admired at a distance. She seemed to me still more attractive at closer
quarters. I forgot that Bélan was waiting before a glass of sugar and
water, for me to bring him life or death. It was hard for me to leave
the place where I was.
But the piano began again--someone was going to sing. It seemed to me
that I might remain long enough to hear the performance. It proved to be
the Montausols, who were about to give us a duet. They must have been a
very united couple; one of them never sang without the other. Imagine a
short but enormously stout man, whose violet cheeks seemed on the point
of bursting when he drew a breath, and who consequently was a frightful
object when he sang in a stentorian voice that vibrated like a
bass-viol. His wife was very short too, and at least as stout as her
husband; she seemed to suffer terribly in her efforts to produce from
her chest shrill tones that pierced the drum of the ear. The couple had
a passion for difficult pieces; they proposed to regale us with grand
opera. A lady was seated at the piano. The husband glanced at his wife,
puffing like a bull during the prelude; the wife looked at her husband,
raising one of her hands to mark the time. Each seemed to say to the
other:
“Now, stand to your guns! Let us carry this by storm! Let us deafen
them!”
The recitative began; at the third measure the audience no longer knew
where they were. The husband and wife hurled their notes at each other
as two tennis players drive the ball with all their strength. When one
of them made a mistake or lagged behind, the other’s eyes flashed fire,
and he or she moved his whole body in order to restore the time.
Public-domain text, read in full here on John Shaqi.
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