Country life -- Fiction; Italy -- Fiction; Peasants -- Fiction; Young women -- Fiction
“Stronger than many men,” said Muriella with pride. “They know it all
through the Selve.”
“Strength is a guardian angel,” said the elder woman. “But a woman’s
strength is a devil in disguise sometimes; she trusts to it; and
lo!--it snaps, and she falls.”
“That may well be,” said Muriella gravely.
As she bent down over the brazier its red reflection shone on the fine
outline of her brow and cheek, on the thickness of her raven hair, on
the dark line of her up-curling lashes.
“You are a morsel for a monarch,” thought Caterina, but she did not say
it; it was known that the girl did not like such jokes.
Instead, she said:
“I am going to change the mattress in Ser Cirillo’s room. Come and give
me a helping hand.”
Muriella went without demur.
When the lifting and changing of the mattress on the great mediæval bed
with its gilded baldachino and crown was done, she stood and looked
around her.
“What are these?” she said, pointing to the telescope upon its stand
and the celestial globe.
“Uncanny things that bring no good to anyone,” answered Caterina. “That
big tube lets you get up to the moon quite close; you can hear the
people in it talking.”
“Saints above us!” said the girl, much astonished; “I always thought
the moon was a lamp.”
“So do all folks as keep their senses,” said Caterina, with that
contempt of ignorance for knowledge, which is of all scorn the most
derisive.
The eyes of Muriella surveyed the chamber with awe. It was very large,
with vast windows, a tessellated floor, faded frescoed walls, and the
grand bed with hangings in purple satin, once a cardinal’s. There were
some oaken tables and dressers, and a few huge chairs with leathern
seats, and from the centre of the ceiling hung a bronze Etruscan lamp
found centuries earlier in the forest underground. On one of the tables
stood an earthen jar filled with the autumn colchicum, and there were
many books and many drawings. Bare and plain though the room was, it
had that nobility which comes from ancient usage, and the indefinable
grace in it which is given to their habitations by those whose pursuits
are intellectual and whose tastes are artistic.
“It feels like a church,” said Muriella to herself: she had always in
her memory the churches of Viterbo, where she had gone with her mother,
and above all of the Duomo of San Lorenzo there, where Guy de Montfort
slew Henry of Cornwall before the high altar, and where an English Pope
forced a German Emperor to hold his stirrup as vassal of the Holy See.
This chamber, with its three great windows facing the west, filled
her with a dim pleasure and veneration as the altars and aisles of San
Lorenzo had done.
But she looked for one thing which she did not see.
“There are no arms,” she said to Caterina; “not even a hunting-knife.”
“He has a revolver,” said the old woman. “But you are right, my dear.
There should be more weapons nigh at hand. The _guardiani_ have all
guns, it is true.”
Public-domain text, read in full here on John Shaqi.
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