Country life -- Fiction; Italy -- Fiction; Peasants -- Fiction; Young women -- Fiction
The post was a rare thing in these districts; scarcely anyone, in an
area of a hundred miles square, could read, still less write. Once
in half a year Caterina received news from a son who was a trader in
Brazil, and another son who was a soldier in Eritrea, and Fausto had
occasional correspondence concerning stallions or brood mares to be
bought or sold, or bulls and rams to be had for the hiring, but these
were very rarely; business was done on horseback and by word of mouth
in these districts; and to Cyrille himself no single message had ever
come since he had first entered the shadows of Le Selve. Absolute
silence had fallen between him and his own land and his own people;
he hoped that they believed him dead. The Gandolfo had promised him
secrecy as to his existence and employment, and the most that he could
hope for was that he might be allowed to remain in the poor substitute
for resignation which is to be obtained from constant occupation and
undisturbed work.
His mother had been in her grave some years. There was no one living,
he thought bitterly, who loved him well enough to endeavour to learn
his fate. His family, doubtless, and all those who had once formed his
world, thought him dead, and better dead, in some nameless foreign
grave.
Therefore his heart stood still with surprise and emotion as he
returned this day from his usual rounds, and was met by Caterina, who
cried to him:
“The post-boy has been here, sir; the post from Ronciglione; dead beat
he was, and glad enough of bit and sup; he brought a letter for you;
’tis on your table in your chamber.”
He ascended the staircase with beating pulse, and noticed not that the
curious good-will of Caterina brought her up after him and kept her at
the doorway.
There was a large square envelope lying on the table, stamped with the
postmarks of his native land, and sealed with a cypher which he knew.
He tore it open.
All it contained was a photograph of a woman’s head and shoulders; a
likeness of the face which was always in his dreams by night and by
day. Under the portrait was written:
“_Je seraià Rome en hiver._
“_Marie._”
It was to him as though heaven had opened. His limbs shook as with
palsy, his breath came in deep-drawn sobs; he pressed the portrait to
his lips and to his heart.
He was no more alone. He was no more without a future. He did not ask
or care how she had found his refuge or learned his fate, how she had
traced him, what she knew, what they could be or could not be to each
other; it was enough that she remembered; that she was faithful; that
in a few months she would be near him there, where the golden rays of
the cross sparkled in the soft azure of summer eves above Rome. It was
an ecstasy so great, so unlooked for, so overwhelming, that it utterly
unmanned him; he fell on his knees and wept.
Caterina, looking on from the entrance, closed the door softly, and
went down the stairs.
Public-domain text, read in full here on John Shaqi.
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