Lead Kindly Light: Its Origin and Its RomanceSutherland, Allan
Religion
Lead Kindly Light: Its Origin and Its Romance
Sutherland, Allan
Hymns, English -- History and criticism
The Rev. James B. Ely, D.D., writes as follows: “It is my desire to
relate one interesting incident in connection with ‘Lead, Kindly Light.’
This hymn was sung in the Lemon Hill Pavilion, Fairmount Park,
Philadelphia, on a recent Sabbath morning, at a time when the very
atmosphere, the beautiful trees and the glowing sun seemed to emphasise
and make very real the sentiments expressed. A young man in the
audience, who was a Christian, but greatly burdened with many anxieties,
felt while this hymn was being sung and the music repeated by the
cornet, that God was preparing him for some special trial through which
he must pass. During the day and all through the week the melody and the
words haunted him; and there was also a growing feeling in his heart
that he ought to go to his old home and visit his mother. Finally, on
Friday noon, he determined that he would start that very evening, and
made his plans to do so. Just before leaving his place of business, a
telegram came informing him of his mother’s sudden death. While the news
was a great shock to him, yet the singing of the hymn and its constant
reiteration in his thoughts during the week had, in a measure, prepared
him for his sore bereavement. The hymn has since become one of his most
sacred possessions. I have written regarding this unusual incident
because the experience is so fresh in my mind and so real. I may add
that this hymn has again and again been sung by large audiences, and
always with telling spiritual effect.”
Many will recall that this hymn was a special favourite of the late
President McKinley, and that it was sung far and wide in the churches on
the first anniversary of his death and burial.
The last stanza of the hymn rings out with a grand declaration of
triumphant, child-like faith and assurance:
“So long Thy power hath blest me, sure it still
Will lead me on
O’er moor and fen, o’er crag and torrent, till
The night is gone;
And with the morn those angel faces smile,
Which I have loved long since, and lost awhile.”
There has been some controversy as to the author’s meaning in the last
two lines. Nearly a half century after they were written some one asked
the Cardinal to give an explanation, and in a letter dated January 18,
1879, he thus wisely replied:
Public-domain text, read in full here on John Shaqi.
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