Leadwork, Old and Ornamental and for the most part EnglishLethaby, W. R. (William Richard)
History
Leadwork, Old and Ornamental and for the most part English
Lethaby, W. R. (William Richard)
Leadwork
A spire said to have been even higher than this of St. Paul’s was
erected in the fourteenth century over the central tower at Lincoln. The
two western towers also had spires which were taken down to save the
cost of repair within this century. This group of three great leaded
spires crowning the Hill-city must have been one of the most wonderful
the whole world over. The central tower as it now stands is 270 feet
high 54 feet on the face; it was finished in 1311. “The spire of timber
covered with lead reaching a height of 524 feet which once surmounted it
was destroyed by a tempest in 1548.”[6]
[6] _Cathedral Guide._
The plates in Dugdale’s _Monasticon_ engraved by Hollar and others
surprise us by the number of leaded spires to the cathedrals not one of
which has survived storm and flames or the crueller hatred of beauty
which the modern mind has developed. There are those of the two west
towers of Durham, western spires at Canterbury, Peterborough, and Ely,
all three at Lincoln, and four smaller pinnacles at Norwich. Two square
pyramids shown to the west tower of Southwell, were probably the
original covering of the twelfth century. These are now “restored” and
they look as false as the word.
The great central spires at Rochester and at Hereford and the central
and two western spires at Ripon are shown of lead, as is also that of
the beautiful isolated belfry at Salisbury, which was destroyed “to
improve the view of the cathedral.” Of three of these large central
spires shown in Dugdale, Rochester and Hereford rise from square towers
with “broaches”: the first is of a curious and yet happy form, with
recessed faces, and the other is an octagon of which the cardinal faces
are wider than the alternate sides. The great spire of Ripon rose within
the stone parapet of the tower, apparently at first twelve-sided with
gables, and the spire itself twenty-four, each pair making a slight
reentering angle--a beautiful composition it must have been of light and
delicate shadow on the silver white of the old lead. This fair colour is
of great importance; several of the old spires which remain to us are as
white as if whitewashed. Modern ones, like the grimy thing at Lynn,
would be improved by being whitewashed. The old, that at Minster in Kent
for instance, tell as bright high lights in a general view of the
landscape such as that you obtain from Richborough.
Public-domain text, read in full here on John Shaqi.
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