Leadwork, Old and Ornamental and for the most part EnglishLethaby, W. R. (William Richard)
History
Leadwork, Old and Ornamental and for the most part English
Lethaby, W. R. (William Richard)
Leadwork
In 1838 was discovered in Rouen Cathedral choir the heart casket of
Lion-hearted Richard, there were two boxes, one within the other, the
inner one, covered inside with thin silver leaf, was inscribed with the
simple words given in Fig. 32 from _Archæologia_ (xxix).
A cruciform tablet is given in Camden[20] with an inscription purporting
to record King Arthur; the form shows that it was made in the twelfth
century. In the fifteenth century Chronicle of Capgrave, under the year
1170, he writes--“In these days was Arthures body founde in the cherch
yerd at Glaskinbury in a hol hok, a crosse of led leyd to a ston and the
letteris hid betwyx the ston and the led.” He gives Giraldus, “whech red
it,” as his authority. Giraldus Cambrensis gives the inscription as “Hic
jacet sepultus inclytus Rex Arthurus cum Wennevereia uxore sua secunda
in Insula Avalonia.”[21]
[20] Folio, plate v. vol. i.
[21] Capgrave, in Rolls Series.
Now William of Malmesbury, who died about 1145, says distinctly that the
tomb of Arthur had never been found, so this dates the fabrication of
this cross by the monks of Glastonbury always so especially greedy of
relics, as within a year or two of this time when Giraldus saw it (“quam
nos quoque vidimus”). The inscription on the lead cross engraved by
Camden agrees word for word with the exception of “with Guenevere his
second wife.” Must we not suppose that Giraldus here improved even upon
the monks, and added this poetic touch himself?
Few of these absolution crosses have been found abroad; one discovered
in Perigord was inscribed on the arms LVX . PAX . REX . LEX.
Wall tablets in churches are represented by one at Burford in
Shropshire, the monument of Lady Corbett, 1516. Her effigy is incised
under a canopy much like the brasses of the same time, and it suggests
simple decorative possibilities, such as filling cavities with mastics
of several colours, parcel gilding, damascening in brass wire, or inlay
of metal on metal.
In Saltash Church, Cornwall, a lead tablet records that “This Chapple
was repaired in the Mairty of Matthew Veale, Gent. Anno 1689.”
Inscriptions may be either cast with raised letters, engraved like the
early ones, or punched. Ornamental borders might also be made up of
punched lines, loops and dots.
[Illustration: FIG. 34.--Arms from Bourges.]
Of Coat Arms there was an instance at Jacques Cœur’s house in Bourges,
which is quite a lead mine. The Angel shield bearer alone remains, with
signs of the erasure of the arms. In London, about Copthall Buildings,
in the City, are several tablets with the arms of the “Armorers
Brasiers,” as also a large number of shields of cast lead with dates and
initials or names of the City wards. The insurance companies also used
shields of stamped lead.
In Vere Street, Clare Market, over the angle of what is at present a
baker’s shop, there is a panel with two negroes’ heads in relief, and
the legend “S. W. M. 1715.”
Public-domain text, read in full here on John Shaqi.
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