Leatherface: A Tale of Old FlandersOrczy, Emmuska Orczy, Baroness
History
Leatherface: A Tale of Old Flanders
Orczy, Emmuska Orczy, Baroness
Flanders -- History -- Fiction
And yet now when his eyes met hers, they suddenly took on a wonderful
softness, that quaint look--half-whimsical, half appealing--came back to
them and with it too a look of infinite pity and of unswerving love; and
as she caught the glance--she who felt so lonely and so desolate--there
came to her mind the remembrance of the sweet and pathetic story of the
primeval woman who was driven forth by God’s angel from the gates of
Paradise. Somehow she felt that once--not so very long ago--she too had
wandered for a brief while within the peaceful glades of a Paradise of
her own, and that now an angel with a flaming sword stood at its gates
and would not allow her to return, but forced her to wander out through
life in utter loneliness and with the unbearable load of agonising
remorse.
II
Of all the episodes which the historical records of the time present to
the imagination, not one perhaps is quite so moving and so inspiring as
that of the solemn Mass which was offered up in every church of the
stricken city on this Sunday morning--the feast of the Holy
Redeemer--when the Duke of Alva and the members of his odious Blood
Council knelt side by side with the heroic men who were making their
last desperate stand for justice, for liberty and the sanctity of their
homes.
The Lieutenant-Governor and the Spanish high dignitaries, both civil and
military, are present in the Cathedral of St. Baafs, as are also the
Orangist leaders. The Spaniards occupy one side of the aisle, the
Flemings, with the women and children, are on the other, and crowd every
corner of the stately edifice. Up at the high altar, Father van der
Schlicht is officiating with others of the cathedral clergy, and the
pure voices of the choir boys resound through the building like the call
of the angels of peace.
The fabric of the exquisite building bears traces of that awful fate
which an abominable tyranny was reserving for the entire city. The
walls themselves stand, but in places they are torn by large fissures,
which look like gaping wounds in the flesh of a giant. Reverend hands
have hastily swept aside the debris of glass and masonry, the fragments
of stone statues and scraps of iron and wood; but here and there the
head of an angel, the clasped hands of a saint or palm of a martyr,
still litter the floor; the slender columns of the aisle have taken on a
curious rusty tint, and over the screen the apostles of carved wood are
black with smoke.
There are two large holes in the roof, through which the bleak October
breeze comes sighing in, and the sweet smell of stale incense which
usually hangs about the place of worship has yielded to the pungent
odour of charred wood and of singed draperies.
Public-domain text, read in full here on John Shaqi.
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