On the Flemish side a dull tone of colour prevails, browns and russets and dull reds--many women have wrapped black hoods over their heads, and long, black mantles hang from their shoulders; but on the other side the fantastic garb of the Spanish halberdiers throws a note of trenchant yellow right through the sombre tint of the picture: and the white ruffs round the men’s necks gleam like pale stars upon the canvas. And over it all the light through the broken window falls crude and grey. Only the chancel glows with a warm light, and Father van der Schlicht’s vestments of crimson silk, the gilt candlesticks upon the high altar, the flickering yellow flames of the candles, the red cassocks of the young servers, all form a kaleidoscope of brilliant colours which is almost dazzling, whilst up above, the banners and coats-of-arms of the Knights of the Golden Fleece still flaunt their rich heraldic tints against the dark vaulting of the roof, and above the high altar the figure of the Redeemer with arms stretched out to bless, seems to mock by its exquisite pathos and peace the hideous strifes of men. The church is crowded from end to end: Flemings and Walloons and Spaniards, the tyrants and the oppressed, all kneel together, while Father van der Schlicht up at the altar softly murmurs the Confiteor: some have rough linen bandages round their head or arm; some have ugly stains upon their doublet or hose; others--unable to stand or lean--lie half prone upon the ground, supported by their comrades. The Duke of Alva holds his head erect, and señor de Vargas bows his down until it well-nigh touches the ground: most of the women are crying, some of them faint and have to be carried away. The Spaniards are more demonstrative in their devotions than are the Netherlanders, they strike their breasts at the Confiteor, with wide, ostentatious gestures, and need much elbow room when they make the sign of the Cross. At the reading of the Gospel every one stands, and men, women and children solemnly make profession of that Faith of Love and Goodwill which the events of the past two days have so wantonly outraged. Lenora from where she stands can see her husband’s head--with its closely-cropped brown hair--towering above the rest of the crowd. He does not look to right or left of him, but gazes fixedly upon the altar; Lenora can see his lips moving as he recites the Creed, and to her straining senses it seems as if right through the murmurings of all these people she can distinguish his voice amongst all the others, and that it strikes against her heart with sweet persistence of unforgettable memories.