Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
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Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
Little frogs, metallically bright as the lily-leaves on which they
sit, chant in chorus; butterflies flutter on vermilion wing from
bank to bank; sometimes the nose of an alligator furrows the river.
The palmettos, heretofore rare, begin to multiply; they assemble in
troops, in ranks, in legions. And other gracious forms appear,--true
palms,--satin-skinned and wonderfully tall. They hold themselves aloof
from the cypresses and the oaks; they don no draperies of moss--proudly
majestic in the elegance of their naked beauty. They approach the
flood, yet shrink from it with feminine timidity; if the treacherous
soil yield beneath their feet, still, by some miracle of poise, they
save themselves from fall. Then wonderful indeed is the suppleness of
their curves; the neck of the ostrich, the body of the serpent, seem
less lithely beautiful. Theirs is never the admirable but inflexible
stature of the pine; the bodies of all are comely with indication;
they balance as in a dance; they poise as in a ballet,--a fairy
saraband of _coryphineæ_.
What wonder that the comeliness of the palm should have been by
ancient faith deemed divine; that, among all trees of earth, this
should have been chosen as the symbol of light, of victory, of riches,
of generation! Sacred to the sun, and to the goddess NIKÉ (whose
appellation was _Dea Palmaris_),--emblem of immortality for the
Orphic poets,--blessed also by the Christ and by him selected even
as the token of salvation,--ancient truly is the right of the palm
to reverence as divinest of trees. Yet not less ancient its claim to
pre-eminence of beauty. Arab and Greek and Hebrew poets discovered in
its shapeliness the most puissant comparison for human grace; the soft
name Thamar signifies a palm; the charm of woman has been likened to
the pliant symmetry of the tree by the bard of the Odyssey, by the
wild authors of the Moallakat, and by the singer of the Song of Songs.
Darkness comes without a moon; and the torch-fires of the Osceola are
kindled to light our way through the wilderness. The night-journey
becomes an astonishment, a revelation, an Apocalypse.
Public-domain text, read in full here on John Shaqi.
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