Leaves from the Note-Books of Lady Dorothy NevillNevill, Dorothy, Lady
History
Leaves from the Note-Books of Lady Dorothy Nevill
Nevill, Dorothy, Lady
Great Britain -- Social life and customs -- 19th century; Great Britain -- Social life and customs -- 20th century
Another lady, whose straight upstanding figure, deep voice, and striking
appearance can never be forgotten by those who knew her, was Maria,
Marchioness of Ailesbury, who, to the end of her life, sported a mass of
corkscrew ringlets, which fell in abundant masses around her somewhat
aquiline and commanding profile. In great request in society, she
frankly declared that she would go to no country house unless she could
stay a fortnight, as otherwise “it would not pay her.” She lunched and
dined out to such an extent that it was currently, and, I believe,
truthfully, reported that she herself kept no cook. Her only
extravagance was engaging tall footmen—any man about six feet high who
attracted her attention being promptly engaged, no matter what his
character might be. These footmen she herself used to put through a sort
of military drill, with a view to imparting to their actions that grace
and dignity to which she attached so much importance.
Frances, Lady Waldegrave, who was the daughter of old Braham, the
singer, was a woman of very determined character, and not a bit ashamed
of her origin. She would often jokingly say, when present at a party at
which any curious or unknown people were amongst the guests, “I am sure
every one will say they are some of my vulgar relatives.” It is rather a
strange thing that in days when society was still somewhat aristocratic
and exclusive. Lady Waldegrave and Lady Molesworth, both with no
pretensions to good birth, should have been rivals in leading it.
Lady Waldegrave expended huge sums on the decoration, or rather
destruction, of Strawberry Hill, which she filled with heavy gilt
furniture literally crowned with coronets. She also employed a very
indifferent painter to paint pictures of her friends. These works of art
were totally out of place at Strawberry Hill, where they produced the
worst effect imaginable. Art indeed was not at a very high level during
the Victorian era, for though there were some good artists, there were
many very bad ones as well.
III
Country houses—Letter from Lord Beaconsfield—Political influence
of landowners—Guests down with the fish—Longleat—
Hinchingbrooke—Goodwood—Old-time country visitors—Colonel
Nelthorpe and “Wulliam”—the Norfolk Militia in the ’fifties—My
father and Casanova—A good-natured giant—Old Lady Suffield—
Lord George Bentinck—Admiral Rous—George Payne and Lord
Alexander Lennox—Religion of the former—The Duchess of
Cleveland and Battle Abbey—Anecdotes—Duke William of Normandy.
Public-domain text, read in full here on John Shaqi.
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