Leaves from the Note-Books of Lady Dorothy Nevill — John Shaqi
Leaves from the Note-Books of Lady Dorothy NevillNevill, Dorothy, Lady
History
Leaves from the Note-Books of Lady Dorothy Nevill
Nevill, Dorothy, Lady
Great Britain -- Social life and customs -- 19th century; Great Britain -- Social life and customs -- 20th century
MY DEAR DOROTHY—I have a portrait same as yours. Under mine is
written in old English letters: “Forti nihil difficile”—nothing
difficult to the brave—which I put because it is Dizzy’s motto,
and I think he has earned it. At the back of the
portrait—“Dizzy, 1859.” It stands on my table in one of the new
sort of frames. He will write his name on the portrait if you
prefer it. Town is going to be very gay, at least the Palace.
Comte Persigny comes here as Ambassador very soon, to our
party’s great dismay. Duc de Malakoff very sorry to go—kiss’d
Lord Malmesbury on each cheek! When are you coming to town?
Dizzy begs his love to you, and kind regards to Mr.
Nevill.—Affectionately yours,
MARY ANNE DISRAELI.
She wrote to me frequently with regard to politics, in which she took
great interest:
GROSVENOR GATE,
_February 15, 1860_.
DEAREST DOROTHY—I was so glad to see you bright and strong this
morning, and I hope you will come to town very soon. You have no
idea of the excitement about this unpopular budget—a great
meeting at Lord Salisbury’s—Lord Derby spoke beautifully.
The Government consider themselves in danger; your young friend,
Dizzy, is in fine fighting form.
Most affectionately yours,
M. A. DISRAELI.
I have said that Lady Beaconsfield’s handwriting was the worst I ever
saw; but, on reflection, I think such a statement is inaccurate—my own
is worse.
When I lived in the country, in Sussex, I used at one time to educate a
few poor girls at a school which I had built for their benefit. When
their education had gone on as far as seemed necessary, I used to try
and find good places for them; many turned out treasures, a few did not
do me much credit. One, a very nice girl, I thought was likely to suit
the person to whom I sent her—a famous doctor. He asked her several
questions which she answered satisfactorily, but when she produced her
character, written by me, it was returned to her, after a brief perusal,
with these ominous words: “I cannot take you now, for I am sure this
letter must be a forgery—no lady could have written it.” The poor girl
came back to me crying, and not knowing quite what to do. By means,
however, of a personal interview, I was able to convince the doctor that
the letter was no forgery, and everything was put right.
Public-domain text, read in full here on John Shaqi.
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