Leaves from the Note-Books of Lady Dorothy NevillNevill, Dorothy, Lady
History
Leaves from the Note-Books of Lady Dorothy Nevill
Nevill, Dorothy, Lady
Great Britain -- Social life and customs -- 19th century; Great Britain -- Social life and customs -- 20th century
In former years Punch and Judy shows were quite common in the London
streets, but they are now rarely to be met with, and the piano-organs
look like sharing their fate, for of late there has been a great
diminution in their numbers, and few are now to be heard in the West
End. They have indeed been practically banished from many squares and
streets, in some of which draconian edicts are posted up against them.
Personally I rather deplore their disappearance, but then I have never
had the slightest pretension to being endowed with a musical ear, and I
suppose many people find them a great nuisance. Nevertheless, all the
barrel-organs in London could not produce anything like the din made by
that clanging and clattering conveyance, the motor omnibus. The old
red-coated crossing-sweepers are now also almost a thing of the past,
though one or two are still to be seen striking a picturesque note in
certain squares; modern methods of road-cleaning have, however, rendered
this humble vocation more or less obsolete. Some years ago street
vendors shouting out their picturesque cries still survived as a feature
of some London streets, but now, I believe, there are regulations
preventing any one shouting out anything, and even the newsboys, who
formerly used to utter the most strident cries when shouting out news,
real or imaginary, have been sternly bidden to hold their peace.
Rowlandson or Wheatley would find no picturesque types in London streets
to-day, from which even the Guy Fawkes celebrations, not very long ago
pretty well universal, have now been practically banished. As for the
Jack of the Green, with his attendants, he has long become but a memory
of other days, and with him has gone that strange instrumentalist who,
playing any number of instruments, may be said to have been a musical
host in himself. The tendency of the age now seems distinctly hostile to
everything which is not regulated, and a good-humoured toleration is no
longer meted out to the picturesque, if somewhat disreputable,
characters who were formerly well-known features of certain
thoroughfares. London, indeed, is altogether a different and, no doubt,
a much more orderly city than when Pierce Egan’s heroes, Corinthian Tom
and Jerry Hawthorn, were witnessing the day and night scenes which
Cruikshank pictured with such quaint and inimitable skill.
Externally, as I have before said, the streets within the last twenty
years or so have changed a good deal. Amongst other alterations the
removal of the old lamp-posts, which used to line each side of every
street, has effected a considerable alteration in the appearance of
London.
Public-domain text, read in full here on John Shaqi.
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