Lectures on Dramatic Art and LiteratureSchlegel, August Wilhelm von
Philosophy
Lectures on Dramatic Art and Literature
Schlegel, August Wilhelm von
Drama -- History and criticism; Drama -- Technique
At this date Schlegel was engaged upon his _Spanish Theatre_, (2
vols., Berlin, 1803-1809). In the execution of this work, much was
naturally demanded of the translator of Shakspeare, nor did he disappoint
the general expectator, although he had here far greater difficulties to
contend with. Not content with merely giving a faithful interpretation of
his author's meaning, he laid down and strictly observed the law of
adhering rigorously to all the measures, rhythms, and assonances of the
original. These two excellent translations, in each of which he has
brought to bear both the great command of his own, and a wonderful
quickness in catching the spirit of a foreign language, have earned for
Schlegel the foremost place among successful and able translators, while
his _Flowers of Italian, Spanish, and Portuguese Poetry_ (_Blumensträusse
d. Ital. Span. u. Portug. Poesie_, Berlin, 1804), furnish another proof
both of his skill in this pursuit and of the extent of his acquaintance
with European literature. Moreover, the merit of having by these
translations made Shakspeare and Calderon more widely known and better
appreciated in Germany would, in default of any other claim, alone entitle
him to take high rank in the annals of modern literature.
But a new and more important career was now open to him by his
introduction to Madame de Staël. Making a tour in Germany, this
distinguished woman arrived at Berlin in 1805, and desirous of acquainting
herself more thoroughly with German literature she selected Schlegel to
direct her studies of it, and at the same time confided to his charge the
completion of her children's education. Quitting Berlin he accompanied
this lady on her travels through Italy and France, and afterwards repaired
with her to her paternal seat at Coppet, on the Lake of Geneva, which now
became for some time his fixed abode. It was here that in 1807 he wrote in
French his _Parallel between the Phaedra of Euripides and the Phèdre of
Racine_, which produced a lively sensation in the literary circles of
Paris. This city had peculiar attractions for Schlegel, both in its
invaluable literary stores and its re-union of men of letters, among whom
his own views and opinions found many enthusiastic admirers and partisans,
notwithstanding that in his critical analysis of Racine's _Phèdre_ he
had presumed to attack what Frenchmen deemed the chiefest glory of their
literature, and had mortified their national vanity in its most sensitive
point.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account