Lectures on Dramatic Art and Literature — John Shaqi
Lectures on Dramatic Art and LiteratureSchlegel, August Wilhelm von
Philosophy
Lectures on Dramatic Art and Literature
Schlegel, August Wilhelm von
Drama -- History and criticism; Drama -- Technique
Equally remarkable is the difference in this respect between the Spaniards
and their neighbours the Portuguese, though related to them both by
descent and by language. The Spaniards possess a dramatic literature of
inexhaustible wealth; in fertility their dramatists resemble the Greeks,
among whom more than a hundred pieces can frequently be assigned by name
to a single author. Whatever judgment may be pronounced on them in other
respects, the praise of invention has never yet been denied to them; their
claim to this has in fact been but too well established, since Italian,
French, and English writers have all availed themselves of the ingenious
inventions of the Spaniards, and often without acknowledging the source
from which they derived them. The Portuguese, on the other hand, while in
the other branches of poetry they rival the Spaniards, have in this
department accomplished hardly anything, and have never even possessed a
national theatre; visited from time to time by strolling players from
Spain, they chose rather to listen to a foreign dialect, which, without
previous study, they could not perfectly understand, than to invent, or
even to translate and imitate, for themselves.
Of the many talents for art and literature displayed by the Italians, the
dramatic is by no means pre-eminent, and this defect they seem to have
inherited from the Romans, in the same manner as their great talent for
mimicry and buffoonery goes back to the most ancient times. The
extemporary compositions called _Fabulae Atellanae_, the only original and
national form of the Roman drama, in respect of plan, were not perhaps
more perfect than the so-called _Commedia dell' Arte_, in which, the parts
being fixed and invariable, the dialogue is extemporised by masked actors.
In the ancient Saturnalia we have probably the germ of the present
carnival, which is entirely an Italian invention. The Opera and the Ballet
were also the invention of the Italians: two species of theatrical
amusement, in which the dramatic interest is entirely subordinate to music
and dancing.
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