The theatres of the Greeks were quite open above, and their dramas were always acted in day, and beneath the canopy of heaven. The Romans, indeed, at an after period, may have screened the audience, by an awning, from the sun; but luxury was scarcely ever carried so far by the Greeks. Such a state of things appears very uncomfortable to us; but the Greeks had nothing of effeminacy about them; and we must not forget, too, the mildness of their climate. When a storm or a shower came on, the play was of course interrupted, and the spectators sought shelter in the lofty colonnade which ran behind their seats; but they were willing rather to put up with such occasional inconveniences, than, by shutting themselves up in a close and crowded house, entirely to forfeit the sunny brightness of a religious solemnity--for such, in fact, their plays were [Footnote: They carefully made choice of a beautiful situation. The theatre at Tauromenium, at present Taormino, in Sicily, of which the ruins are still visible, was, according to Hunter's description, situated in such a manner that the audience had a view of Etna over the back-ground of the theatre.]. To have covered in the scene itself, and imprisoned gods and heroes in a dark and gloomy apartment, artificially lighted up, would have appeared still more ridiculous to them. An action which so gloriously attested their affinity with heaven, could fitly be exhibited only beneath the free heaven, and, as it were, under the very eyes of the gods, for whom, according to Seneca, the sight of a brave man struggling with adversity is a suitable spectacle. With respect to the supposed inconvenience, which, according to the assertion of many modern critics, hence accrued, compelling the poets always to lay the scene of their pieces out of doors, and consequently often forcing them to violate probability, it was very little felt by Tragedy and the Older Comedy. The Greeks, like many southern nations of the present day, lived much more in the open air than we do, and transacted many things in public places which with us usually take place within doors. Besides, the theatre did not represent the street, but a front area belonging to the house, where the altar stood on which sacrifices were offered to the household gods. Here, therefore, the women, notwithstanding the retired life they led among the Greeks, even those who were unmarried, might appear without any impropriety. Neither was it impossible for them, if necessary, to give a view of the interior of the house; and this was effected, as we shall presently see; by means of the _Encyclema_.