Lectures on Dramatic Art and LiteratureSchlegel, August Wilhelm von
Philosophy
Lectures on Dramatic Art and Literature
Schlegel, August Wilhelm von
Drama -- History and criticism; Drama -- Technique
At Göttingen he lived in the closest intimacy with Heyne, for whose
_Virgil_, in 1788 he completed an index; he also became acquainted
with the celebrated Michaelis. It was here too that he formed the
friendship of Bürger, to whose _Academie der Schönen Redekünste_, he
contributed his _Ariadne_, and an essay on _Dante_. The kindred genius of
Bürger favourably influenced his own mind and tastes, and moved him to
make the first known attempt to naturalize the Italian sonnet in Germany.
Towards the end of his university career he combined his own studies with
the private instruction of a rich young Englishman, born in the East
Indies, and at the close of it accepted the post of tutor to the only son
of Herr Muilmann, the celebrated Banker of Amsterdam. In this situation he
gained universal respect and esteem, but after three years he quitted it
to enter upon a wider sphere of literary activity. On his return to his
native country he was elected Professor in the University of Jena.
Schlegel's residence in this place, which may truly be called the classic
soil of German literature, as it gained him the acquaintance of his
eminent contemporaries Schiller and Goethe, marks a decisive epoch in the
formation of his intellectual character. At this date he contributed
largely to the _Horen_, and also to Schiller's _Musen-Almanach_, and
down to 1799 was one of the most fertile writers in the _Allgemeinen
Literatur-Zeitung_ of Jena. It was here, also, that he commenced his
translations of Shakspeare, (9 vols., Berlin, 1797-1810,) which produced a
salutary effect on the taste and judgment of his countrymen, and also on
Dramatic Art and theatrical representation in Germany. Notwithstanding the
favourable reception of this work he subsequently abandoned it, and on the
publication of a new edition, in 1825, he cheerfully consigned to Tieck
the revision of his own labours, and the completion of the yet
untranslated pieces.
Public-domain text, read in full here on John Shaqi.
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