Lectures on Russian Literature: Pushkin, Gogol, Turgenef, Tolstoy — John Shaqi
Lectures on Russian Literature: Pushkin, Gogol, Turgenef, TolstoyPanin, Ivan
History
Lectures on Russian Literature: Pushkin, Gogol, Turgenef, Tolstoy
Panin, Ivan
Russian literature -- 19th century -- History and criticism
7. How this law has operated on Russian soil, in Russian hearts, is the
purpose of these lectures to show. For while the laws of the spirit are
ever the same in essence, the character of their manifestation varies
with time and place, just as in Nature the same force appears in the
firmament as gravitation when it binds star unto star, as attraction
when it binds in the molecule atom unto atom, and in man as love when
it binds heart unto heart. The phenomena therefore, natural to all
literature, we shall also find here, but modified by the peculiar
character of the people.
8. And the first characteristic of the Russian spirit is that it has no
_originating_ force. In the economy of the Aryan household, of which the
Slavic race is but a member, each member has hitherto had a special
office in the discharge of which its originating force was to be spent.
The German has thus done the thinking of the race, the American by his
inventive faculty has done the physical comforting of the race, the
Frenchman the refining of the race, the Englishman the trading of the
race; but the Russian has no such force peculiar to him. The office of
the Slavonic race has hitherto been passive, and its highest distinction
has hitherto been solely either to serve as a sieve through which the
vivifying waters of European thought shall pour upon the sleeping body
of Asia, or as a dead wall to stem the wild devastating flow of Asiatic
barbarism upon European civilization. The virtue of the Slavonic race is
thus first of all passivity; and as the virtue of a pipe is to be smooth
and hollow, so the virtue of the Russian is first of all passive
receptivity.
9. Look not therefore for creative originality in Russian literature.
There is not a single form of literary development that is native to the
Russian soil, not a single contribution to philosophy, to art, to
letters, the form of which can be said to have been born on Russian
soil. Its literary forms, like its civilization (or that which passes
for its civilization), have been borrowed bodily from the west. But as
action and reaction are always equal, so this very limitation of the
Russian national character has been the source of many virtues of
spiritual life, which Europe and America might well learn to acquire,
all the more now when western thought has matured to such ripeness as
to be nigh decay.
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