Lectures on the English Poets; Delivered at the Surrey InstitutionHazlitt, William
History
Lectures on the English Poets; Delivered at the Surrey Institution
Hazlitt, William
English poetry -- History and criticism
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[1] Burke's writings are not poetry, notwithstanding the vividness of
the fancy, because the subject matter is abstruse and dry, not natural,
but artificial. The difference between poetry and eloquence is, that the
one is the eloquence of the imagination, and the other of the
understanding. Eloquence tries to persuade the will, and convince the
reason: poetry produces its effect by instantaneous sympathy. Nothing is
a subject for poetry that admits of a dispute. Poets are in general bad
prose-writers, because their images, though fine in themselves, are not
to the purpose, and do not carry on the argument. The French poetry
wants the forms of the imagination. It is didactic more than dramatic.
And some of our own poetry which has been most admired, is only poetry
in the rhyme, and in the studied use of poetic diction.
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He saw many countries, and the manners of many men; and he has brought
them all together in his poem. He describes his heroes going to battle
with a prodigality of life, arising from an exuberance of animal
spirits: we see them before us, their number, and their order of battle,
poured out upon the plain "all plumed like estriches, like eagles newly
bathed, wanton as goats, wild as young bulls, youthful as May, and
gorgeous as the sun at midsummer," covered with glittering armour, with
dust and blood; while the Gods quaff their nectar in golden cups, or
mingle in the fray; and the old men assembled on the walls of Troy rise
up with reverence as Helen passes by them. The multitude of things in
Homer is wonderful; their splendour, their truth, their force, and
variety. His poetry is, like his religion, the poetry of number and
form: he describes the bodies as well as the souls of men.
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