Lectures on the Origin and Growth of Religion as Illustrated by the Native Religions of Mexico and PeruRéville, Albert
Religion
Lectures on the Origin and Growth of Religion as Illustrated by the Native Religions of Mexico and Peru
Réville, Albert
Indian mythology -- Mexico; Indian mythology -- Peru
The importance of rain in the regions of Mexico, so marked in the myths
we have already considered, prepares us to find amongst the great gods
the figure of Tlaloc, whose name signifies "the nourisher," and who was
the god of rain. He was believed to reside in the mountains, whence he
sent the clouds. He was also the god of fecundity. Lightning and thunder
were amongst his attributes, and his character was no more amiable than
that of the Mexican deities in general. His cultus was extremely cruel.
Numbers of children were sacrificed to him. His statues were cut in a
greenish white stone, of the colour of water. In one hand he held a
sceptre, the symbol of lightning; in the other, a thunderbolt. He was a
cyclops; that is to say, he had but one eye, which shows that he must be
ultimately identified as an ancient personification of the rainy sky,
whose one eye is the sun. His huge mouth, garnished with crimson teeth,
was always open, to signify his greed and his sanguinary tastes. His
wife was _Chalchihuitlicue_, "the lady Chalchihuit," whose name is
identical with that of a soft green jade stone that was much valued in
Mexico. Her numerous offspring, the Tlalocs, probably represent the
clouds. Side by side with the hideous sacrifices of which Tlaloc's
festival was the occasion, we may note the grotesque ceremony in which
his priests flung themselves pell-mell into a pond, imitating the action
and the note of frogs. This is but one of a thousand proofs that in the
rites intended to conciliate the nature-gods, it was thought well to
reproduce in mimicry the actions of those creatures who were supposed to
be their favourites or chosen servants. The frogs were manifestly loved
by the god of the waters, and to secure his good graces his priests, as
was but natural, transformed themselves into frogs likewise. It was with
this cultus especially that the symbol of the Mexican cross was
connected, as indicating the four points of the horizon from which the
wind might blow.
Public-domain text, read in full here on John Shaqi.
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