the false simplification, of which I have spoken, with abundance of real mystery. This mixture of the simple and the mysterious, is, in some measure, like the mixture of uniformity with diversity, that is so delightful in works of art. However pleasing objects may separately be, we are soon wearied with wandering over them, when, from their extreme irregularity, we cannot group them in any distinct assemblage, or discover some slight relation of parts to the whole; and we are still sooner, and more painfully fatigued, when every object which we see is in exact symmetry with some other object. In like manner, the mind would be perplexed and oppressed, if it were to conceive a great multitude of objects or circumstances, concurring in the production of one observed event. But it feels a sort of dissatisfaction also, when the sequences of events which it observes, are reduced to the mere antecedents and consequents of which they consist, and must have a little more _complication_ to flatter it with the belief, that it has learned something which it is important to have learned. To know that a withered leaf falls to the ground, is to know, what the very vulgar know, as well as ourselves; but an ocean of _ether_, whirling it downward, is something of which the vulgar have no conception, and gives a kind of mysterious magnificence to a very simple event, which makes us think, that our knowledge is greater, because we have given, in our imagination, a sort of cumbrous magnitude to the phenomenon itself.