Lectures on the rise and development of medieval architecture; vol. 1Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 1
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
Nothing can be more delightful than these excursions. If you know
beforehand what you are likely to meet with, the very anticipation of
what each day will bring before you will add zest to your appetite for
architectural enjoyment; while if you do not know what objects of
interest may lie in your course, the very speculation will give relish
to the search.
Here, perhaps, you come to the site of some famous monastery, less happy
in its days of ruin and desertion than some which have become the
favourite haunts of the artist. It has, perhaps, been for ages the
stone-quarry of the district, and now only some one gable-end with its
lofty lancets shows the noble scale of the ancient church. Here, it may
be, nothing stands aboveground but the bases of the pillars; farther on
the wall rises to the height of the window-jambs, and shows the arcading
of the walls; and there the aisle wall retains the doorways leading
through into the cloister--now a farm-yard--on the eastern side of which
you find the three beautiful arches, the central one of which formed the
approach to the chapter-house, and round this cloister you still trace
the plan of the refectory and other monastic buildings. But, scanty and
now humble as are the ruins, you find the details to be of the highest
order of artistic refinement. The bases of the lost columns are profiled
with the most studied delicacy, the few remaining doorways are perfect
models of rich though unostentatious detail, the archways, perhaps, of
the chapter-house entrances are of the most elegant and studied beauty.
On tracing out and measuring the plan, you find its arrangement and
proportions to be of the most perfect kind; and, though so little
comparatively stands _in situ_, the ground is strewn here and there with
masses from the superstructure, from which you may trace out the design
of much which has fallen down, while the fences and agricultural
buildings around are perfect storehouses of mouldings, capitals, and
fragments of tracery or of groining, from which you can study the detail
almost as profitably as from a perfect building.
Public-domain text, read in full here on John Shaqi.
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