Lectures on the rise and development of medieval architecture; vol. 1Scott, George Gilbert, Sir
History
Lectures on the rise and development of medieval architecture; vol. 1
Scott, George Gilbert, Sir
Architecture, Gothic; Architecture, Medieval
The character of a style of art does not depend upon the mere material
from which it has been fabricated, but upon the sentiments under which
it has been developed. Were not this the case, all styles, excepting,
perhaps, those in China and Central America, with a few others still
more obscure, would be more or less connected with the religion of Egypt
or of Nineveh; whereas, in fact, every race up to the sixteenth century,
had so moulded the original materials upon which its arts had been
founded as to render them expressive, in a great degree, of their own
sentiments, and especially of their own religion; and more strongly than
in any other case was it so with our own forefathers, when developing
the latest of all styles of genuine architecture, and moulding it to
harmonise with the sentiment of our holy religion.
The last of the historical claims of Pointed architecture to which I
will call your attention is, that it is the native architecture of our
own country, and that of our own forefathers. Here, again, I must define
my meaning for the sake of meeting a class of objectors who delight to
attach a false and exaggerated meaning to an expression.
I do not, then, mean that Pointed architecture belongs to us in any
different sense from that in which it belongs to France or Germany: I do
not mean to revive the claims of our country to its origination, nor to
assert in its behalf any pre-eminent share in its development. All I
mean to urge is the simple fact that, by whatever members of our family
of nations it was shared, it was, nevertheless, the architecture of our
own country--just as much English as we are ourselves--as indigenous to
our country as are our wild flowers, our family names, our customs, or
our political constitution.
In England, as in France and Germany, the same Romanesque architecture
had (with local varieties) grown up with the new civilisation; as it
perfected itself it showed in each the same tendencies and the same
yearnings, which Pointed architecture could alone satisfy. If it were so
that these were at length met by suggestions from the East, it was our
forefathers who fought there side by side with those of our neighbours,
and the lessons learned and the trophies won were common property. It is
possible that France was more rapid in making use of them, and it is
certain that Germany was the most tardy in doing so; but in each the
result had long been aimed at; in each it was the natural consequence of
what had already been attained; and was therefore not the property of
one, but the common inheritance of all; and each having attained it,
carried it on and developed it in her own way, thus making it in every
sense her own.
Public-domain text, read in full here on John Shaqi.
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